Experience this show with vinyl music at: https://www.mixcloud.com/upload/letstalkvinyl/wild-in-the-streets-motion-picture-soundtrack/

Wild in the Streets,” a 1968 American dystopian comedy-drama film, stars Christopher Jones, Hal Holbrook, Richard Pryor, and Shelley Winters. Directed by Barry Shear, it’s based on Robert Thom’s short story “The Day It All Happened, Baby!”. Distributed by American International Pictures, the film, described as both “ludicrous” and “cautionary”, was nominated for an Academy Award for Best Film Editing and became a cult classic of the 1960s counterculture. A soundtrack was released on Tower Records and became successful, peaking at No. 12 on the Billboard charts. Taken from the soundtrack and film, "Shape of Things to Come" (written by songwriters Barry Mann and Cynthia Weil) and performed by the fictional band Max Frost and the Troopers, was released as a single (backed with "Free Lovin' ") and became a hit, reaching No. 22 on Billboard.

To enjoy this episode with music, go ahead and smash this link: https://www.mixcloud.com/letstalkvinyl/kaiser-chiefs-easy-eighth-album/

We’re talking about the brand-new record from Kaiser Chiefs—Kaiser Chiefs’ Easy Eighth Album. That’s right, the Leeds lads are back, and this time they’ve teamed up with none other than Nile Rodgers for a slick, funky, and very unexpected sound that still keeps that indie-rock edge we know and love.

Tune in with music at: https://www.mixcloud.com/letstalkvinyl/the-police-dont-stand-so-close-to-me-86/

The Police disbanded in 1986, but a new version of their classic song, “Don’t Stand So Close To Me,” was recorded during a brief reunion for their first compilation album, “Every Breath You Take: The Singles,” released in October 1986. This new version departed from the reggae style of the original and embraced a new wave, melancholic sound. It was released as a single and reached No.24 in the UK, becoming the band’s final single of the 1980s.Tragically, Stewart Copeland, the band’s drummer, broke his collarbone the night before they were scheduled to record their sixth album, which unfortunately never materialized. This setback left the band in a precarious situation, as Copeland was unable to play the drums. Amidst this uncertainty, a heated argument ensued over whether to use a Synclavier or Fairlight CMI to program the drums.Musically, “Don’t Stand So Close To Me” stands out for its minimalist yet effective arrangement. The Police, known for their unique blend of rock, reggae, and punk elements, crafted a sound that is both distinctive and easily accessible. The song begins with a haunting synthesizer riff that sets a somber tone, followed by Andy Summers’ sharp, staccato guitar chords and Stewart Copeland’s precise drumming. Sting’s evocative vocal delivery adds to the song’s tension and emotional depth.The production of “Zenyatta Mondatta,” and particularly this song, exemplifies The Police’s signature style: a tight, polished sound that never compromises emotional depth. The harmonious interplay between the instruments and Sting’s voice creates an immersive atmosphere, drawing listeners into the song’s narrative.