Erika Christensen and Penelope Ann Miller join Kyle Meredith to talk about their new indie film After All, a moving three-generation story about family, forgiveness, and generational trauma. Christensen, who also executive produced, digs into why she was drawn to Ellen—a woman finally forced to grow up—and how the film’s stillness and honesty set it apart from today’s flashier fare. Miller discusses playing a mother facing dementia, channeling her Texas roots, and embracing the discomfort of shooting in a sweltering Austin house to create something authentic. The two reflect on finding hope without sentimentality, the art of silence, and the human stories that still matter.

Listen to Erika Christensen and Penelope Ann Miller chat about all this and more or watch their conversations on YouTube here and here. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Florence Welch of Florence And The Machine joins Kyle Meredith to talk about her new album Everybody Scream, her gothiest record yet and a sister to Dance Fever. Florence opens up about insecurity, imperfection, and how a near-death experience reshaped her connection to witchcraft and creativity. She discusses recording raw, unpolished takes with Aaron Dessner, lyrical callbacks to “Daffodil” and “Cassandra,” and how this record explores the line between prophecy and catastrophe. Florence also dives into her striking visuals with Autumn de Wilde, the Western influence on the artwork, and finding peace after chaos.

Listen to Florence Welch chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Famke Janssen joins Kyle Meredith to talk about her new Netflix series Amsterdam Empire, where she plays Betty, a former pop star out for revenge after her husband’s very public affair. Janssen dives into developing Betty as both actor and executive producer, working in her native Dutch for the first time, and creating the character’s colorful, childlike fashion herself as co-designer. She also tells Kyle about shooting a full music video as Betty, performing her own vocals and choreography, and what it was like to rediscover her roots back home in the Netherlands.

Listen to Famke Janssen chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Ricky Wilson and Simon Rix of Kaiser Chiefs talk with Kyle Meredith about their comeback moment on Education, Education, Education & War—finding purpose again after lineup changes, learning not to play it safe, and rediscovering the joy of being a band that still has something to say. Cut to three years later, and Norman Blake of Teenage Fanclub joins Kyle just as Brexit breaks, reflecting on optimism, aging gracefully in rock, and crafting Here, an album about love and contentment in uncertain times. Two bands from the same Britpop class proving there’s life—and wisdom—on the other side of the hype.

Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

In two conversations spanning seven years, Moby tells Kyle Meredith about creating beauty in chaos — first at SXSW 2011, where he previewed Destroyed, an album and photo book born from sleepless nights in hotel rooms, filled with “broken-down electronics” and midnight-highway moods. Flash forward to 2018, he’s promoting Everything Was Beautiful & Nothing Hurt and unpacking the emotional weight of songs like “Motherless Child,” connecting their grief and longing to his own life and the world’s unraveling. From playing bass with OMD on an upside-down guitar to comparing humanity to “scared little monkeys at a watering hole,” Moby weaves the personal and political, the sacred and absurd.

lease take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Kyle Meredith talks with Kevin Drew of Broken Social Scene about reuniting the sprawling collective for Hug Of Thunder, rediscovering friendship as the heart of creation, and the emotional night they played Manchester just after the attacks—with Johnny Marr joining onstage.

Then, Sadie Dupuis of Speedy Ortiz joins twice: first in 2015, when she discussed using Foil Deer to push feminism and social awareness into rock’s conversation (“I’d rather be a social justice warrior than a rich kid with a drug problem”), and again in 2018 to unpack Twerp Verse, scrapping an entire album post-election to write songs that mattered, navigating “lyrical mystery,” and how horror films inspired her monster metaphors. Both artists reflect on turning chaos into connection—and the power of art to speak when the world gets too loud.

Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Backstage at Bourbon And Beyond, Kyle Meredith caught up with Mary Chapin Carpenter to talk about her new album Personal History, a record she says she’s been working on for nearly five years and one that truly earns its title. She digs into songs like “Paint + Turpentine” and “Girl and Her Dog,” and how the more personal her stories get, the more universal they become.

Then, Kyle talks with Trampled By Turtles’ Erik Berry about Alan Sparkhawk with Trampled By Turtles — their new collaboration with the Low frontman. Berry recalls the Duluth roots that connected them, the influence Low had on their early years, and how their friendship led to an album and a handful of rare live shows. It’s one of those projects that’s special precisely because it can’t happen too often. And stick around afterward for a bonus interview with Trampled’s Dave Simonet from 2017.

Listen to Mary Chapin Carpenter and Trampled By Turtles chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Here’s a double feature: Marty Stuart joined Kyle Meredith in 2017 to talk about his album Way Out West, a record that drifts between cowboy songs, desert psychedelia, surf rock, and even flying saucers, all captured with help from Heartbreaker Mike Campbell. Stuart also opened up about his deep ties with Native communities, his lifelong love of California’s mythology, and how Western folklore still fuels his songwriting. And going back to 2012, the late Justin Townes Earle sat down with Kyle to talk about Nothing's Gonna Change The Way You Feel About Me Now. Fresh off Harlem River Blues, he spoke about wearing a reputation like armor, barely surviving his 20s, finding clarity at 30, and writing songs that doubled as studies of American roots music. Two different visions of Americana, both with their eyes on the horizon.

Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.