The conversation continues beyond Doctor Who this week as Christian Cawley and James McLean turn their attention to the changing world of film, gaming, and digital entertainment.

Starting with the prospects for DC Studios’ Supergirl and the current state of superhero cinema, the discussion broadens into the future of the cinema experience, the decline of physical media, and what it really means to own the films and games we pay for.

Along the way, they consider whether streaming has changed our relationship with entertainment forever, why Blu-rays and boxed games still have a place on the shelf, and whether services like Steam have fundamentally altered consumer expectations.

Also discussed:

• Is superhero fatigue really to blame for declining cinema audiences?

• DC Studios, Marvel Studios and the challenge of rebuilding franchises.

• Why some films still deserve to be seen on the big screen.

• The continuing appeal of Blu-ray and other physical media.

• Sony’s changing approach to physical PlayStation releases.

• Steam, digital ownership and the risks of an all-digital future.

• Evercade and the resurgence of physical retro gaming.

• Windows 11, ageing hardware and planned obsolescence.

The full uncut edition of this week’s podcast discussions can be found on our Patreon, along with the Kasterborous Archive.

Doctor Who artist Lee Sullivan joins Christian Cawley to look back on a career that has spanned Transformers, Marvel UK, Doctor Who Magazine, and some of the most memorable comic strips of the Seventh and Eighth Doctor eras.

Beginning with his childhood love of comics and Gerry Anderson, Lee explains how an ambition to become a comic strip artist eventually led him from British Aerospace to Marvel UK, where he cut his teeth drawing Transformers before unexpectedly becoming one of Doctor Who's defining artists.

The unedited interview is available on our Patreon.

The conversation explores the creative process behind classic Doctor Who Magazine strips, the challenges of sequential storytelling, and the evolution of the comic throughout the Wilderness Years and beyond.

Along the way, Lee discusses:

• How Transformers became his first professional comic strip work.
• Breaking into Marvel UK and working with editors including Richard Starkings.
• Becoming a Doctor Who artist during the programme's 25th anniversary.
• The enduring popularity of the Seventh Doctor comic strips.
• Bringing the Eighth Doctor to life in comic form.
• Storytelling techniques, page layouts and visual pacing.
• Working on graphic novels, illustrations and Doctor Who publications beyond the comic strip.
• Why Doctor Who has remained such a constant throughout his career.

Whether you discovered Lee Sullivan's artwork through Doctor Who Magazine, Marvel UK's Transformers, or later Doctor Who books and illustrations, this interview offers a fascinating insight into one of the franchise's most recognisable artists.

Learn more about Lee Sullivan and his work: https://leesullivanart.co.uk/

What can Tracy Island, Wonky Donkey and a TARDIS tell us about growing up with television in the 1990s?

Well, Christian Cawley is about to find out.

He chats with author Thom Gray about 100 Objects of '90s Children's TV, his celebration of a decade of CBBC, CITV, Saturday morning shows and programmes that have since slipped from memory, which is out now from Candy Bar Books.

Thom explains how the book came together, the challenges of researching children's television from the period, and his conversations with around 35 people who helped make it, including Pat Sharp, Anne Wood and Tony Robinson.

We also delve into some of the 100 objects themselves, including Anthea Turner's famous Blue Peter Tracy Island, Wonky Donkey from SM:TV Live, the MicroSoap Rubik's Cube, and the TARDIS. Doctor Who might have been absent from television for most of the 1990s, but it wasn't entirely absent from children's TV. Thom explains how the TARDIS continued appearing elsewhere during the Wilderness Years, prompting a wider discussion about Doctor Who's curious place in the decade.

Plus: forgotten programmes, VHS tapes, YouTube archaeology, and why '90s children's television is ripe for rediscovery.