You've walked past them. The birdbath balanced on a tree stump. The chainsaw-carved mascot. The rusted farm equipment standing sentinel at a property line. The toilet (yes, the toilet) overflowing with wisteria.

We call it yard art. But it's something older than that.

In this episode, we take a walk through one neighborhood and discover that every repurposed object on every lawn is making the same argument: I belong to this place, and this place belongs to me. From the folk impulse to reach toward nature, to material culture as community storytelling, to the toilet as territorial poetry: It all adds up to one of the most human things we do with our junk.

It's definitely a folk thing.

----------Music Credits-------------
Intro music: Humorous and Comic Intro
By Free Music — soundcloud.com/fm_freemusic
Licensed under Creative Commons Attribution 3.0 Unported
creativecommons.org/licenses/by/3.0/
Available at: chosic.com/download-audio/27133/
Music promoted by Chosic

Why does it matter so much where your blood comes from? And what happens when the DNA doesn't match the story?

In 2012, archaeologists pulled King Richard III out from under a parking lot in Leicester, England. The maternal DNA confirmed who he was. But the paternal DNA told a different story. Somewhere in the royal bloodline, the father-to-son chain quietly broke, and nobody noticed for centuries. Wars were fought, tens of thousands died, and an entire political order rested on a connection that wasn't intact.

In this episode, host Aaron Crawford explores the folk belief in lineage: why we trace family trees, keep names in Bibles, and feel a pull toward places we've never been. The political system built on bloodline is gone. But the folk belief? The kitchen-table kind, passed down informally through old photos and origin stories and "you have your grandmother's eyes"? That one never cracked. And maybe that persistence tells us something about what actually matters.

It's probably a folk thing.

Why do we say someone "passed away" instead of "died"? And why does it matter so much which words we choose?

In this episode, host Aaron Crawford explores the folklore behind death euphemisms — the unwritten rules that tell us which phrases belong at a graveside and which ones belong at a bar. From "departed" to "kicked the bucket," the language we use around death isn't random. It's a socially transmitted code that varies by community, generation, and context, enforced not by law but by a well-timed silence or a sharp look across the room.

Music Credits
Intro music: Humorous and Comic Intro
By Free Music — soundcloud.com/fm_freemusic
Licensed under Creative Commons Attribution 3.0 Unported
creativecommons.org/licenses/by/3.0/
Available at: chosic.com/download-audio/27133/
Music promoted by Chosic

Christmas Eve at midnight feels magical, like you could just reach out and, like Adam in the Sistine Chapel, touch the finger of God. It's magical and meaning-fraught for children and adults alike. Drawing on folklore and anthropology, this episode examines why this quiet hour feels holy and charged with meaning – even when nothing is happening.

Why does everyone lose their collective mind when Christmas music shows up “too early”? In this episode, we dig into the folk social control behind holiday soundtracks: How communities quietly regulate behavior with nothing but side-eye, shared expectations, and a deep fear of low-effort Christmas covers. From nose-picking norms to unspoken rules of public space, we explore why boundaries like this exist and how folklore keeps them in place… even against the full power of the corporations’ fake “holiday cheer.”

Sidenote: A "fortnight" is an old-timey way of saying "two weeks." It's often used to indicate an indeterminate time in the future, as in "Call on me again in a fortnight." Incidentally, it is correctly spelled the way I spelled it. I, for one, would be super embarrassed if I started a major franchise using the term but I spelled it incorrectly.

Music Credits
Intro music: Humorous and Comic Intro
By Free Music — soundcloud.com/fm_freemusic
Licensed under Creative Commons Attribution 3.0 Unported
creativecommons.org/licenses/by/3.0/
Available at: chosic.com/download-audio/27133/
Music promoted by Chosic

Treat or treating isn't just a fun way to gather enough candy to make a child ill for three days. It's a ritual inversion: A deliberate role reversal, where the tiny become powerful. Join host Aaron Crawford as we learn how trick or treating allows our culture to blow off steam, challenge its hierarchies, and laugh at its own rules.

Music Credits
Intro music: Humorous and Comic Intro
By Free Music — soundcloud.com/fm_freemusic
Licensed under Creative Commons Attribution 3.0 Unported
creativecommons.org/licenses/by/3.0/
Available at: chosic.com/download-audio/27133/
Music promoted by Chosic