Christmas Eve at midnight feels magical, like you could just reach out and, like Adam in the Sistine Chapel, touch the finger of God. It's magical and meaning-fraught for children and adults alike. Drawing on folklore and anthropology, this episode examines why this quiet hour feels holy and charged with meaning – even when nothing is happening.

Why does everyone lose their collective mind when Christmas music shows up “too early”? In this episode, we dig into the folk social control behind holiday soundtracks: How communities quietly regulate behavior with nothing but side-eye, shared expectations, and a deep fear of low-effort Christmas covers. From nose-picking norms to unspoken rules of public space, we explore why boundaries like this exist and how folklore keeps them in place… even against the full power of the corporations’ fake “holiday cheer.”

Sidenote: A "fortnight" is an old-timey way of saying "two weeks." It's often used to indicate an indeterminate time in the future, as in "Call on me again in a fortnight." Incidentally, it is correctly spelled the way I spelled it. I, for one, would be super embarrassed if I started a major franchise using the term but I spelled it incorrectly.

Music Credits
Intro music: Humorous and Comic Intro
By Free Music — soundcloud.com/fm_freemusic
Licensed under Creative Commons Attribution 3.0 Unported
creativecommons.org/licenses/by/3.0/
Available at: chosic.com/download-audio/27133/
Music promoted by Chosic