This week on It Hails from the Crypt, hosts Fred and Tim head into the cornfield for “Four-Sided Triangle,” Season 2, Episode 9 of HBO’s Tales from the Crypt: a twisted tale of lust, abuse, obsession, revenge and one very unusual romantic triangle involving a scarecrow that may be more important than anyone realizes.
As always, we begin where Tales from the Crypt began:
Before “Four-Sided Triangle” came to HBO, “4-Sided Triangle” appeared in Shock SuspenStories #17, written by Carl Wessler with artwork by legendary EC artist Jack Kamen.
Fred and Tim dig into the original 1954 comic, examining Kamen’s distinctive artwork, the story’s mixture of sex, cruelty and grotesque humor, its rural nightmare atmosphere and the vicious EC morality at its center before looking at how the story was radically expanded for television nearly four decades later.
What happens when Tales from the Crypt takes a brutally simple eight-page EC shocker and gives its central character an entirely new story?
Then we turn to the 1990 HBO adaptation, directed by Tom Holland, the filmmaker behind Fright Night and Child’s Play.
Patricia Arquette stars as Mary Jo, a young fugitive trapped on an isolated farm with the deeply unpleasant George and Luisa Yates, played by Chelcie Ross and Susan Blommaert.
George has his eyes on Mary Jo. Luisa has her eyes on George. Mary Jo has her eyes on somebody else. Unfortunately, he’s a scarecrow.
After a violent encounter leaves Mary Jo with a head injury, she becomes convinced that the scarecrow standing in the field is alive — and that he’s her lover. George sees Mary Jo’s obsession as an opportunity, Luisa becomes increasingly jealous, and what begins as a nasty rural melodrama starts moving toward the kind of gruesome punchline only Tales from the Crypt could deliver.
Fred and Tim break down Patricia Arquette’s performance, Tom Holland’s direction, the episode’s sexuality, black comedy, violence, rural Gothic atmosphere and increasingly bizarre love triangle while comparing the HBO adaptation directly with its EC Comics source.
Why does the television version give Mary Jo so much more agency than the character in the original comic?
How does Tom Holland, the filmmaker who turned vampires and killer dolls into ’80s horror icons, approach the very different horror of a lonely farmhouse and a scarecrow?
And does expanding the original EC story make “Four-Sided Triangle” one of those rare adaptations that actually improves upon its source material?
Finally, Fred and Tim unlock the Vault of More for another collection of deep-cut recommendations inspired by the episode.
Movies. Television. Comics. Books. Horror history. Scarecrows. Rural nightmares. Forbidden desire. Killer relationships. And whatever other strange artifacts we can drag back from the dead.
If you love Tales from the Crypt, EC Comics, Patricia Arquette, Tom Holland, Fright Night, Child’s Play, vintage horror comics, HBO horror, scarecrow horror, rural horror, horror anthologies, cult movies or simply discovering obscure corners of horror history, join us as we dig into “Four-Sided Triangle.”
Send us your questions for the next visit to The Dead Letter Office.