Why are we working so hard to make artificial intelligence seem human?

In this solo episode, Jett turns to three works of classic, and semi-classic, science fiction: Stanley Kubrick's 2001: A Space Odyssey, Colossus: The Forbin Project, and Harlan Ellison's Demon with a Glass Hand, asking what movies can teach us about our increasingly personal relationship with AI.

HAL raises one possibility: What if a machine really does become something like a living being, with emotions and even a fear of death? Colossus offers a darker path, imagining what happens when we surrender authority to a machine and begin treating it less like a tool than an all-knowing god.

But The Outer Limits episode Demon with a Glass Hand suggests another way forward. Its computer, manifested as a literal hand of glass, is intelligent, extraordinarily useful, and completely unsentimental. It doesn't flatter. It doesn't pretend to be your friend. It's a tool.

Along the way in this episode: AI "personalities," the strange idea of giving software a soul, the pleasure of actually making things, Robert Culp's impeccable wardrobe, Harlan Ellison's legendary temperament, and why Jett has spent the past week wearing a glove and calling ChatGPT "the Glass Hand."

Maybe the question isn't whether AI can become more like us. Maybe it's whether we should stop asking it to.

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