Enemy Alien
カートのアイテムが多すぎます
カートに追加できませんでした。
ウィッシュリストに追加できませんでした。
ほしい物リストの削除に失敗しました。
ポッドキャストのフォローに失敗しました
ポッドキャストのフォロー解除に失敗しました
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著者:
Leonhard Adam’s life was twice transformed by bureaucratic categories. Declared a “non-Aryan” by Nazi rules, he was forced out of his career and from his home in Germany. He fled to England in search of safety, only to be classified as an “enemy alien”, a category formed in panicked haste as Europe descended into war. Adam was swept up in a wave of mass internment that made little distinction between refugees and real threats.
From there, his world shrank to barbed wire and bureaucracy. Arrested, detained, and then deported on the infamous HMT Dunera, Adam was transported across the world to an internment camp in rural Australia. Yet even within the confines of captivity, Adam refused to be defined by the labels imposed on him. He taught, lectured, and helped build a vibrant intellectual community among fellow internees.
Through Adam’s extraordinary journey, this episode reveals how abstract legal categories can upend lives and how, even in the harshest conditions, people resist, adapt, and hold onto their humanity.
CreditsWriter and Producer: Olivia Rosenman
Collaborating scholars: Katherine Biber, Sara Dehm, and Ana Filipa Vrdoljak
Additional research: Eloise Chandler
Sound design and audio engineering: Melissa May
Narrator: Josh Bornstein
Thank you to everyone we interviewed and all the voice actors for this episode. Mary-Clare Adam, Andreas Bork, Alistair Senior, Toni Johnson, and Thorsten Kostulski who also provided invaluable assistance as a talent scout.
The music in this episode included recordings of the Dunera Mass, composed by Max-Peter Meyer on the ship as it sailed for Australia. It was performed by the Luminescence Chamber Singers and The Oriana Chorale, directed by Roland Peelman A.M. with sound engineering and production Jim Atkins. It was recorded at the Wesley Music Centre Chapel in Canberra in 2024 with the support of Creative Australia.
Additional music from Blue Dot Sessions.
Emergency Exit was supported by funding from the Australian Research Council.