Hollywood’s Unchecked Ego Problem
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Hollywood’s Unchecked Ego Problem
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Everybody has an ego, screenwriters included.But I believe there’s an important difference between an ego that is anchored to the work, the money, or some tangible consequence, and an ego that is anchored primarily to opinion.In this video, I continue my conversation about script-reader's outsized egos and look at another powerful gatekeeper in modern screenwriting: the manager.I talk about how representation changed around the late 1990s and early 2000s, how managers became an unofficial necessary step between writers and the industry, and how the old process of paid development increasingly gave way to writers doing rounds of speculative rewrites before anyone actually buys the script.Writers have egos. Producers have egos. Everyone involved in filmmaking has an ego.My argument is simple: if you’re going to have influence over the creative process, your ego should be anchored to something besides your opinion.
You can find me at: StoryRay.com