Happy Halloween and let’s talk about blind spots in looking at photos
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A couple of quick things before we jump into the podcast.
- if you’re gonna be in the Seattle area on November 5, don’t forget to join me at the Photographic Center Northwest for my lecture on the landscape and language and meaning.
- In the next week to 10 days, don’t forget to check out the latest In Conversation episode of the podcast. This one is with Greg Hatton, an amazing photographer from Los Angeles, who was kind enough to join me even though he was working hard for Leica down at the Formula One races in Austin, Texas.
In this week’s episode, we’re digging into both the need to say Happy Halloween and the blind spot that impacts how we critique photographs. When we critique and look at photographs, we often have a pattern or process that we like to follow. This process can often produce pretty good results. It also allows us to see and understand photographs quickly, and then move on to the next image. However, there might be times when we run into an image where the analysis is in our blind spot. And by the blind spot, I mean something that we don’t know that we need to know because we don’t know we need to know it to examine the photograph.
We need each otherLong and short of it is that I think this is a community issue. This is something that I don’t necessarily think we solve on our own because it’s hard for us to know what we don’t know. So we need to talk to other people. We need to see how they look at photographs, talk to them about how they examine photographs, look at text for people who have written about it, and see if there are things we can incorporate into our own sense of scene to evaluate the work.
It’s our job to develop the language if we want the language to be about us.I think it’s also important for us to recognize that sometimes the things that we don’t think are important in our analysis of our work might be significant. If we start with them, we might find unique and interesting ways to critique photographs. I believe this is really important because, as we look at the number of images of her being created, both photographically, with generative AI, or hybrid. The need for us photographers to have a better language, both visually and verbally, to talk about our work is important. It’s in these conversations that we learn how to be better photographers, how to appreciate photography and how to honor the work that other photographers have done.
Wrapping it upSo I hope in this episode, you find some interesting insights and some ideas that you could use to both help see where your blind spots are and help others maybe find new and exciting ways to avoid their blind spots.
I know for me it’s always about finding somebody in the community who can help me see what I couldn’t see by myself, so don’t be afraid to ask those people in the camera club, or some photographers you might know, or maybe it’s time to find some photographer friends 🙂