This week on Geekstorians, Dave from Geektown looks at three films that did not behave the way Hollywood expected.

‘The Rocky Horror Picture Show’ arrived as a box office failure before midnight audiences turned it into a ritual. ‘Blade Runner’ opened to confusion, studio interference and mixed reactions before becoming one of science fiction’s most debated landmarks. And ‘The Big Lebowski’ drifted into cinemas as a modest Coen Brothers oddity before fans turned The Dude into something far bigger, stranger, and, somehow, semi-spiritual.

This is not a story about films that were secretly massive hits all along. It is about what happens when something strange, difficult or badly timed finds the people who need it later. Through late-night screenings, VHS, cable, DVD, festivals, quotes, costumes and arguments that refuse to die, these films became more than movies. They became communities.

Season Two of Geekstorians has been about things that did not go to plan. This episode asks what happens when failure is not the end of the story, but the beginning of the cult.

Presented by Dave from Geektown.

For more on TV, film, gaming and geek culture, head to Geektown.co.uk, and check out Geektown Radio for the latest entertainment news, reviews and UK air dates.

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This week on Geekstorians, we’re boldly going into one of the strangest survival stories in geek culture: Star Trek, the franchise that has been cancelled, revived, mismanaged, overextended, rebooted, and pushed through nearly every major shift in modern entertainment.

Born in 1966, cancelled in 1969, and kept alive by fans who refused to accept that decision, Star Trek became something far bigger than a struggling network sci-fi show. It became a constituency. A culture. A future people wanted to believe in.

Dave traces the franchise from NBC’s infamous letter-writing campaign and the death-slot third season, through Lucille Ball’s unexpected role in getting the original series made, the rise of conventions and syndication, the expensive chaos of Star Trek: The Motion Picture, and the leaner, sharper rescue mission of The Wrath of Khan.

Then it’s into The Next Generation, first-run syndication, Roddenberry’s complicated legacy, the rocky early years, the franchise boom of Deep Space Nine, Voyager and Enterprise, the Kelvin timeline films, and the streaming era of Discovery, Picard, Lower Decks, Prodigy and Strange New Worlds.

Because Star Trek doesn’t survive because it is well run.

It survives because the idea underneath it is too good to kill.

Geekstorians is the Webby-nominated documentary-style podcast from Geektown, exploring the strange, messy, brilliant history of geek culture.

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This week on Geekstorians, we’re looking at the leak that punched a hole through Hollywood’s gates.

For years, Fox had Deadpool sitting in development limbo. Ryan Reynolds wanted to make the film properly. Director Tim Miller had test footage. The fans knew exactly what they wanted. The studio, however, remained unconvinced.

Then, in July 2014, fifty-two seconds of Deadpool test footage appeared online.

It wasn’t a trailer. It wasn’t part of a polished marketing campaign. It wasn’t even supposed to be public. But once the footage hit the internet, the reaction was immediate, loud, and impossible for Fox to ignore.

In this episode, Dave traces the long road to Deadpool, from Hollywood’s old gatekeeping model and the internet’s war with studio control, through the disastrous version of Wade Wilson in X-Men Origins: Wolverine, to the leaked footage that helped turn an unlikely R-rated superhero comedy into a box-office monster.

Along the way, we look at how the success of Deadpool changed the conversation around R-rated comic book films, helped open the door for projects like Logan and Joker, and proved that audiences were no longer just waiting outside the studio gates. Sometimes, they could force the gates open.

This is the story of Ryan Reynolds, Tim Miller, Fox, fandom, the internet, and a red-suited menace who refused to stay in development hell.

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