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We dive back into the MCU, contemplating the appeal of Peter Parker and Tom Holland as he also dives right back into the broader MCU.

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Sing to us, O Muse, of determined men, haunted by dead women, consciously embracing lies; of nested framing devices, portentous insert shots, and groundbreaking IMAX-ery.

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In which we ponder the imposssibility of doing more with less, and near-impossibility of ending a long running show on its strongest footing.

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Has HOTD righted the ship, after last season's slow walk to an abrupt stop?

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We wrap up the Gilliam restrospective in the internet's love language, ranked lists.

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Brett Blake joins John to mull over the state of horror in a horrible year

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In which, get this, there are aliens in a Spielberg movie!

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Gilliam's career comes to its likely close with a film with a film that somehow managed to be one of the hardest-fought triumphs in the history of film, and appropriately doomed to immediate obscurity.