『Forbidden Films』のカバーアート

Forbidden Films

Forbidden Films

著者: Wayne Kramer and Barry Germansky
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Hosted by writer-director Wayne Kramer (The Cooler, Running Scared) and producer Barry Germansky (Marlowe, Riff Raff), Forbidden Films is a podcast about the movies they won't make anymore.


Each week, Wayne and Barry take a deep dive into a once critically regarded film or commercial success that by today's regressive standards is now deemed either problematic or unlikely to ever be made again in the same way. Pushing back against political correctness, the duo bring their own filmmaking experience and love of movies to a lively — and controversial — discussion about living in illiberal times where self-censorship and timidity, fueled by corporate greed and fear of social media blowback, has led to the catch phrase, "They'd never make that film today."


Forbidden Films is a shot against the bow of cinematic cowardice and a clarion call to the industry to start making bold and challenging films again. From the early James Bond films to Saturday Night Fever to A Clockwork Orange and beyond, tune in for some insightful and pugilistic conversations. Rated Mature Audiences Only.


Music Acknowledgement: The Forbidden Films theme is a track called "Ghosts" by renowned film composer John Murphy. It is available on John's album "Anonymous Rejected Filmscore."

Hosted on Acast. See acast.com/privacy for more information.

Wayne Kramer and Barry Germansky
アート 社会科学
エピソード
  • Risky Business
    2026/07/14
    "Sometimes you just gotta say, 'What the fuck, make your move.'" Wayne Kramer and Barry Germansky are engaging in some Risky Business with Paul Brickman's 1983 surreal, erotic, and Salingerian coming-of-age masterpiece that lit the fuse on Tom Cruise's stardom. Joel Goodson is looking to get laid, looking to get into Princeton, and looking for a whole lot of trouble when his parents go out of town. With one late night phone call to Rebecca De Mornay's sultry, cynical call girl, Lana, Joel gets schooled in Reaganomics the Chicago way. Guest instructors include Guido the Killer Pimp and Lana's hot-to-trot hooker friends. Joel's curriculum also includes an AP course on how to make love on a real train – soundtracked by Phil Collins and Tangerine Dream. So strip to your tighty-whities, roll up your tube socks, and hit play for some Old Time Rock and Roll.

    Hosted on Acast. See acast.com/privacy for more information.

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    1 時間 50 分
  • Body Heat
    2026/07/01
    "You aren't too smart, are you? I like that in a man." Wayne Kramer and Barry Germansky are getting under the sheets with Body Heat, writer-director Lawrence Kasdan's 1981 revamping of the film noir genre. Everything old is new again — this time with a sultry femme fatale for the ages, Matty Walker, played by the combustible Kathleen Turner in her screen debut, who seduces William Hurt's small town horndog lawyer, Ned Racine, into offing her husband and bringing about Ned's eventual cum-uppance. All to the tune of John Barry's alto saxed-up score and Richard H. Kline's sweaty cinematography. With supporting turns from Richard Crenna, Ted Danson, and Mickey Rourke, this granddaddy of the modern film noir delivers in the best tradition of Billy Wilder, Jacques Tourneur, Robert Siodmak, and Fritz Lang – with the added bonus of boobs, butts, and profanity. So, beware of the wind chimes, never buy a strange woman on the boardwalk a snow cone, and stay out of the boathouse. Click play for a fun conversation about sex, death, and humidity.

    Hosted on Acast. See acast.com/privacy for more information.

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    1 時間 44 分
  • All That Jazz
    2026/06/17
    "It's showtime, folks!" Wayne Kramer and Barry Germansky are hopping on a Greyhound bus to Broadway to revisit Bob Fosse's semi-autobiographical and tragically prescient All That Jazz. It's a phantasmagorical, warts-and-all look at the life of Joe Gideon, a tortured Broadway director and filmmaker choreographing his way into oblivion. Joe is at war with his second-guessing financiers, his pursuit of perfection, his failing health, and his own raging libido in Fosse's multiple Oscar-winning masterpiece. Prepare to be dazzled by Roy Scheider's fearless, self-excoriating performance, Ann Reinking's virtuosic dance moves, and Alan Heim's manic postmodern editing that keeps it all moving to an unsettling arrhythmic beat. So fire up the Vivaldi, pop some Dexedrine, light up an unfiltered Camel, lubricate your eyeballs, and come take off with us.

    Hosted on Acast. See acast.com/privacy for more information.

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    2 時間 3 分
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