Filmmaker Bartley Taylor joins the Utah International Film Festival’s Filmmaker Spotlight to break down what it really takes to make an independent short film, survive the film festival circuit, and build a sustainable filmmaking career. Bartley takes us behind the scenes of his award-winning horror short KILTER, a 1990s-set coming-of-age story that explores mental health through a practical creature effect, and explains how the film was designed as a proof of concept for a feature. We talk about crowdfunding a short film, working with SAG-AFTRA, producing on a limited budget, practical effects vs. CGI, choosing the right film festivals, dealing with festival rejection, turning short films into professional opportunities, and why new filmmakers shouldn’t wait for the perfect budget, equipment, or connections before making their first film. Bartley also shares hard-earned directing advice, why filmmakers need multiple skills to build a career, and why story will always matter more than expensive gear or beautiful shots.

You don't need a huge budget or a professional crew to make your first short film. Sometimes you just need a couple of film friends who are willing to make something with you. In this episode of Filmmaker Spotlight, Warren Workman talks about how to find people to make short films with, whether you're entering a 48-hour film competition, making something for fun, building your reel, or trying to prove you can actually finish a film. We cover meeting local filmmakers, helping on other people's projects, finding collaborators through festivals and filmmaking groups, working with limited resources, and why your first crew doesn't need to be made up of seasoned professionals. The goal is simple: find a few people, look at the resources you already have, make something, finish it, and then make another one.

What should you do with your short film after you finish it? Learn how to submit your short film to film festivals, build a film festival strategy, and find the right festivals for your movie. Finishing your short film is only the first step. Next, you need to decide what success looks like. Do you want to win film festival awards? Watch your short film with a live audience? Meet other filmmakers? Find representation? Attract investors? Or use your short film as a calling card to help you make a feature film? Warren explains why filmmakers should answer those questions before spending money on film festival submissions.