Ben and Rob dive into The Toxic Avenger (1984), the gloriously trashy horror-comedy that turned an ordinary nerdy janitor into a mop-wielding mutant hero. Created by Lloyd Kaufman and Michael Herz, The Toxic Avenger is the ultimate mix of DIY guts, anarchic satire, and midnight-movie magic; the kind of cult classic that’s still shocking and oddly sweet nearly four decades later. Trace the Toxic Avenger’s wild journey from VHS obscurity to pop-culture demon with us, through action figures, cartoons, comic books, and midnight screenings.

How has The Toxic Avenger aged in 2025—does it still hit like a body-slam of absurdity, or feel like a dangerously dated dated relic? What does Lloyd Kaufman think when he looks back at Toxie today—and how does he celebrate its enduring weirdness?

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Ben and Rob board the Event Horizon this week, diving into Paul W.S. Anderson’s genre-bending science fiction horror that flopped hard at the box office; only to rise like a cosmic demon into cult classic territory. Featuring powerhouse performances from Laurence Fishburne and Sam Neill, Event Horizon remixes haunted‑house tropes, cosmic dread, and cyber‑Gothic design into a spaceship of nightmares.

Can a haunted spaceship film feel like Alien, Hellraiser, and Solaris all in one? How do Fishburne’s grounded reactions and Neill’s unraveling physicist elevate this twisted space‑horror ride? And what about Paul W.S. Anderson? Is he a compromised studio hack, or the mastermind behind a misunderstood masterpiece?

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This week, Ben and Rob dive into Together (2025), a tangled, self-aware horror-drama that asks big questions about love, identity, and whether two people can ever really exist as individuals or if they’re doomed to dissolve into one another. It’s part relationship study, part metatextual puzzle, and part… something else entirely.

Is Together a sensitive exploration of codependency, or a two-hour therapy session disguised as cinema? What does Michael Shanks’ short film Rebooted have to say about his writing/directing style? Are we living in the golden age of horror or just the golden age of films that like to tell us they’re horror? The ongoing copyright infringement lawsuit: what does it mean? And does it hold any weight?

Most importantly: what does Together really mean? The lads wrestle with that question, trying to separate the profound from the insane. Is this even possible? Can these ideals co-exist separately in one space or do they just… merge into one?

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