エピソード

  • 012 - Section 12

    012 - Section 12
    2026/02/20
    In “The Duchess of Langeais” (1834), part of Balzac’s monumental series “The Human Comedy,” we are transported to post-Napoleonic Paris during the restoration of the Bourbon monarchy. Balzac critiques the aristocracy for squandering its opportunity to provide leadership and stability, instead indulging in a life of entitlement and superficiality within the confines of elegant salons. The novel unfolds a tumultuous love affair, hindered by the obsessive manipulations of its two main characters the duchess, a pampered product of civilization, and a military hero who, despite his battlefield prowess, remains naive to the intrigues of high society. Here, the lines between “love” and “passion” blur, tangled in the delicate artifice of polite interactions. Originally titled “Don’t Touch the Axe,” Balzacs work serves as a piercing exploration of loves complexities and the emotional pathologies of the privileged class of his time. - Summary by Bruce Pirie
    続きを読む 一部表示
    20 分
  • 011 - Section 11

    011 - Section 11
    2026/02/20
    In “The Duchess of Langeais” (1834), part of Balzac’s monumental series “The Human Comedy,” we are transported to post-Napoleonic Paris during the restoration of the Bourbon monarchy. Balzac critiques the aristocracy for squandering its opportunity to provide leadership and stability, instead indulging in a life of entitlement and superficiality within the confines of elegant salons. The novel unfolds a tumultuous love affair, hindered by the obsessive manipulations of its two main characters the duchess, a pampered product of civilization, and a military hero who, despite his battlefield prowess, remains naive to the intrigues of high society. Here, the lines between “love” and “passion” blur, tangled in the delicate artifice of polite interactions. Originally titled “Don’t Touch the Axe,” Balzacs work serves as a piercing exploration of loves complexities and the emotional pathologies of the privileged class of his time. - Summary by Bruce Pirie
    続きを読む 一部表示
    26 分
  • 010 - Section 10

    010 - Section 10
    2026/02/20
    In “The Duchess of Langeais” (1834), part of Balzac’s monumental series “The Human Comedy,” we are transported to post-Napoleonic Paris during the restoration of the Bourbon monarchy. Balzac critiques the aristocracy for squandering its opportunity to provide leadership and stability, instead indulging in a life of entitlement and superficiality within the confines of elegant salons. The novel unfolds a tumultuous love affair, hindered by the obsessive manipulations of its two main characters the duchess, a pampered product of civilization, and a military hero who, despite his battlefield prowess, remains naive to the intrigues of high society. Here, the lines between “love” and “passion” blur, tangled in the delicate artifice of polite interactions. Originally titled “Don’t Touch the Axe,” Balzacs work serves as a piercing exploration of loves complexities and the emotional pathologies of the privileged class of his time. - Summary by Bruce Pirie
    続きを読む 一部表示
    42 分
  • 009 - Section 9

    009 - Section 9
    2026/02/20
    In “The Duchess of Langeais” (1834), part of Balzac’s monumental series “The Human Comedy,” we are transported to post-Napoleonic Paris during the restoration of the Bourbon monarchy. Balzac critiques the aristocracy for squandering its opportunity to provide leadership and stability, instead indulging in a life of entitlement and superficiality within the confines of elegant salons. The novel unfolds a tumultuous love affair, hindered by the obsessive manipulations of its two main characters the duchess, a pampered product of civilization, and a military hero who, despite his battlefield prowess, remains naive to the intrigues of high society. Here, the lines between “love” and “passion” blur, tangled in the delicate artifice of polite interactions. Originally titled “Don’t Touch the Axe,” Balzacs work serves as a piercing exploration of loves complexities and the emotional pathologies of the privileged class of his time. - Summary by Bruce Pirie
    続きを読む 一部表示
    29 分
  • 008 - Section 8

    008 - Section 8
    2026/02/20
    In “The Duchess of Langeais” (1834), part of Balzac’s monumental series “The Human Comedy,” we are transported to post-Napoleonic Paris during the restoration of the Bourbon monarchy. Balzac critiques the aristocracy for squandering its opportunity to provide leadership and stability, instead indulging in a life of entitlement and superficiality within the confines of elegant salons. The novel unfolds a tumultuous love affair, hindered by the obsessive manipulations of its two main characters the duchess, a pampered product of civilization, and a military hero who, despite his battlefield prowess, remains naive to the intrigues of high society. Here, the lines between “love” and “passion” blur, tangled in the delicate artifice of polite interactions. Originally titled “Don’t Touch the Axe,” Balzacs work serves as a piercing exploration of loves complexities and the emotional pathologies of the privileged class of his time. - Summary by Bruce Pirie
    続きを読む 一部表示
    43 分
  • 007 - Section 7

    007 - Section 7
    2026/02/20
    In “The Duchess of Langeais” (1834), part of Balzac’s monumental series “The Human Comedy,” we are transported to post-Napoleonic Paris during the restoration of the Bourbon monarchy. Balzac critiques the aristocracy for squandering its opportunity to provide leadership and stability, instead indulging in a life of entitlement and superficiality within the confines of elegant salons. The novel unfolds a tumultuous love affair, hindered by the obsessive manipulations of its two main characters the duchess, a pampered product of civilization, and a military hero who, despite his battlefield prowess, remains naive to the intrigues of high society. Here, the lines between “love” and “passion” blur, tangled in the delicate artifice of polite interactions. Originally titled “Don’t Touch the Axe,” Balzacs work serves as a piercing exploration of loves complexities and the emotional pathologies of the privileged class of his time. - Summary by Bruce Pirie
    続きを読む 一部表示
    47 分
  • 006 - Section 6

    006 - Section 6
    2026/02/20
    In “The Duchess of Langeais” (1834), part of Balzac’s monumental series “The Human Comedy,” we are transported to post-Napoleonic Paris during the restoration of the Bourbon monarchy. Balzac critiques the aristocracy for squandering its opportunity to provide leadership and stability, instead indulging in a life of entitlement and superficiality within the confines of elegant salons. The novel unfolds a tumultuous love affair, hindered by the obsessive manipulations of its two main characters the duchess, a pampered product of civilization, and a military hero who, despite his battlefield prowess, remains naive to the intrigues of high society. Here, the lines between “love” and “passion” blur, tangled in the delicate artifice of polite interactions. Originally titled “Don’t Touch the Axe,” Balzacs work serves as a piercing exploration of loves complexities and the emotional pathologies of the privileged class of his time. - Summary by Bruce Pirie
    続きを読む 一部表示
    47 分
  • 005 - Section 5

    005 - Section 5
    2026/02/20
    In “The Duchess of Langeais” (1834), part of Balzac’s monumental series “The Human Comedy,” we are transported to post-Napoleonic Paris during the restoration of the Bourbon monarchy. Balzac critiques the aristocracy for squandering its opportunity to provide leadership and stability, instead indulging in a life of entitlement and superficiality within the confines of elegant salons. The novel unfolds a tumultuous love affair, hindered by the obsessive manipulations of its two main characters the duchess, a pampered product of civilization, and a military hero who, despite his battlefield prowess, remains naive to the intrigues of high society. Here, the lines between “love” and “passion” blur, tangled in the delicate artifice of polite interactions. Originally titled “Don’t Touch the Axe,” Balzacs work serves as a piercing exploration of loves complexities and the emotional pathologies of the privileged class of his time. - Summary by Bruce Pirie
    続きを読む 一部表示
    33 分