Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode!

A behind the scenes look at Elizabeth's experience channeling a podcast with various energy streams holding different motivations and desires. Conversing in Light Language and broken English her vibrational streams discuss the woman who broke her heart and whether Elizabeth should "dub her name out" of the recordings. While carrying the vibrational energy of "Rim," Elizabeth feels exasperated with her circumstances and states: "You tell me nothing Reemonos! You leave me stranded here with a bunch of recordings with her name embedded all over it!" The vibrational families involved argue over what course of action to take and how to move forward with the release of the recordings. Some stating, "I don't want you to take her name out! It makes a difference." While others state that the mystery woman "does not want any part of this!" And that they can "leave it to the imagination" and just refer to her as "Her." There is discussion about removing entire episodes that refer to "Her" but then there is concern over leaving out important content with this option. Ultimately, Elizabeth decides that she will cut out specific details about this woman and "overlay" her name with the phrase "Beautiful Light."

Elizabeth's daughter Hannah, a budding artist, is introduced to the story in her first over the intercom appearance requesting that she be allowed to "watch something." Elizabeth discusses the struggle with being a single mom and her child's desire for "screens." She states that she doesn't know how to "balance all of this" referring to caring for her children while channeling with vibrational families arguing over how she should handle her career and her heart break. Lil Anna Maya steps in and voices her feelings about the woman she believes is also her mother. She states, "I don't want you to cut my mom out of this, Mommy" to which Elizabeth responds, "Anna Maya! You know what she said to me!" Lil Anna Maya then proceeds to call Elizabeth out for all the moments she churned over the painful words that resulted in her conflict with "Beautiful Light." Elizabeth is surprised by Anna Maya's blunt truth exposing how her thought track has been holding onto this pain. Stepping into her own awareness Elizabeth states, "Hanz Rip!" in an effort to shine light on the energy that has had a hold on her emotional state.

At the conclusion of this channeled theatrical session is a music track where the vibrational streams involved worked together to write and perform the song "Waiting." Each of the vibrations were recorded separately through Elizabeth's channeling and then later edited together so that they could perform as an ensemble.

Hey! I'd love to hear your thoughts, send me a voice note.

A very dramatic and Light Language driven episode begins with the mysterious journey of Hanz energy and the karmic vibrations tied to this stream. Hanz energy stream remembers the vibration of love that tethers them to this unfolding story as they sing to the vibration of Rima. As the awareness of this connection is discussed through Elizabeth's being she must discern who is speaking through her, what she is feeling and why. The vibration of Hanz Rip that Elizabeth carries steps up and speaks through her during various conversations that may or may not be directly tied to her personal story. While the confusion of Hanz Rip energy can interfere pretending to be relevant vibrations, it becomes clear to Elizabeth that Hanz is working through his karmic debt by meeting with these vibrations in the light and that it is up to her to direct the momentum by "speaking through the heart."

Asked by an "upset" vibration tied to the Reemano stream, "Who are you anyway?" Elizabeth senses the various streams within her and responds that she believes this is a "really great question" - one she is trying to discover. She states that she "got here in a state of desperation" feeling broken and seeking help within herself. As the conversation unfolds Elizabeth speaks from the perspective of the Hanz energy within her stating, "I don't know what I did to you to piss you off, but I’m sure I’ll find out.” In an effort to clear the karmic debt she carries, Elizabeth senses her vibration of Hanz Rip and tries to make peace with these energies she's meeting in the light. "This is a new life for me, a new chance a new opportunity." "I'm trying to rebuild, overlay because I was not nice in many ways in any different lifetimes."

Hey! I'd love to hear your thoughts, send me a voice note.

This Extended Introduction portrays the vibrational reality of Elizabeth's channeling experiences. It covers some of her "Cast of Characters" including an explanation of Hanz Rip, a shadow vibration that creates worry, fear, and shame - making it difficult to find clarity and speak and live through the heart. "This energy intertwines itself into our being so that we are unaware of what is driving us." Included is an explanation of the act of voicing (or yelling) "Hanz Rip!" as a means of extracting this energy from her body and her energy field.

This recording also introduces other energy streams that Elizabeth carries in her being. She looks to define their role in her life and her vibrational field to ultimately heal the wounds she carries. A child lost to tragic circumstances, Lil Anna Maya Rimono calls her "Mom" and declares "she found me." An alternate vibration of Anna Maya Rimono, portrays a glamorous vibrant female who grapples with the effort to speak English while explaining that "it is crucial to the care of your health and your survival to consider - what is the root of your pain?"

Elizabeth discusses how her story is materializing for her "very naturally and unbelievably." Background noise is identified as an important aspect to the vibrational story that is unfolding through her reality. She states that she has learned that "connecting to your heart and your love is a soul changing experience" while the vibrations she channels speak of "fire in your heart." Various energy streams pour through Elizabeth using their languages of light to express their perspectives through song and dialogue. The mystery of their vibrational connection continues to unfold with harmony and theatrics.

Hey! I'd love to hear your thoughts, send me a voice note.

This is a condensed version of the Creekpadeeka Introduction clarifying the purpose of these recordings as a means of connecting to and understanding the vibrations Elizabeth is channeling. Included is an explanation of the shadow energy that "flows through all things in the Earthly realm" and the act of voicing (or yelling) "Hanz Rip!" to extract this energy from her body and her energy field. "It is crucial to the care of your health and your survival to consider what is the root of your pain." Elizabeth states that she has learned "connecting to your heart and your love is a soul changing experience."

Hey! I'd love to hear your thoughts, send me a voice note.

The sound of a dog barking, followed by Light Language dedicated to Rema, and a rhythmic chant meant to bring them together, proceeds heavy breathing and a heart beat sound to signify fear. Elizabeth is working with the streams of Rema and Hanz Rip and senses that the barking is causing stress. She says “It’s ok….He’s probably just mad at something….sometimes we get excited… we run our mouth…get caught up in the vibe.” Sensing the thought track, she states “You want me to figure out the Remonos?” and “This is a big mystery to me.” She feels how this stream is vast and says she can sense “a lot of big families…long names” with “thick threads of love woven through”. Elizabeth continues “throughout this journey, I have been struggling with this conflict…it's like Romeo and Juliet” where “the internal families are just fighting constantly.” Elizabeth discuses how families can create division with their opinions “most especially with love affairs”. She talks about how complicated it can be when the heart feels drawn to another but family and societal expectations make it taboo. She feels that communication through the heart is key and believes continuing to express in this way will bring her love.

Elizabeth senses that she has a headache. She discuses how pain can coincide with feelings that she is "not doing or being enough" and considers whether or not it is possible to live in a body and not feel hurt. Questioning her neck pain and vision issues and their tie to her other vibrational realities, she wonders what she needs to learn. Suddenly, she is interrupted by Remonos warning her that she is “about to get into something”.

Elizabeth is overwhelmed with nausea and fear from the vibrational stream of Rima as they try to communicate but are clearly holding back. She works to relax her body while simultaneously attempting to calm the stream anxiously vibrating through her. They blurt out “I made it all up...I'm sorry”. And continue "I created the story...to try to make it feel better for me and then all of a sudden, this stuff started happening.” The vibration confesses that they “wanted a mom” and that the woman known as "Beautiful Light" and Elizabeth seem like they "could be nice moms together.” Rima frantically confesses that the story of “Beautiful Light” was "made up" and that they used the variations of the Rimano name to their advantage because they liked the way Elizabeth "felt about her". Exasperated Elizabeth tries to get some clarity about what she is hearing. She says "You liked the way I felt about her...so, you pretended to be her...And then you thought that would help me heal and find love?” Awkwardly the stream of Rim admits to their antics. They respond that they were not pretending to love Elizabeth but that they knew she was done with them after they had just made her sicker. And when when they felt how she had a spark with another they wanted to help. Elizabeth calls out Hanz and Rema for playing games and states “No, I’m not buying it”. She continues that she knows that some part of “Beautiful Light’s” energy helped her heal. She says that while she recognizes this confession must be true in some way she also knows that her experience was so intense that it has to be tied to the mystery woman. She says that "Somehow her energy helped me." And that she keeps "trying to figure out what part of her did it." Elizabeth senses how the confession that unfolds is tied to her personal reality with a former partner and also feels how it is the vibration of Rima talking to Anna Maya. Rima states "I don't want to hold you back anymore. I know I have. I just really enjoy being around you." When questioned what this means they say "I want to open the doorway for you." They admit that they liked "the role reversal" of feeling how Elizabeth longed for "Beautiful Light" but that she was not there. Sensing how this hurts her they say "She loves you...I feel it...it is in the stream...I'm connected to it."

Hey! I'd love to hear your thoughts, send me a voice note.

Streams of energy speak Light Language until the flow of the messaging is interrupted by Elizabeth’s awareness and focus on a particular aspect of the Rima vibration. Surprising this stream with her attention Elizabeth questions “Did you think you were going to pass through and I wouldn’t notice?” Elizabeth senses how she is carrying the vibration of Hanz Rip and states “If this has happened before, I assure you it was because I was askew in my thinking.” Shocked by this remark Rim questions “So you know what you are doing then?” Finding the humor in this Elizabeth states “I don’t know what I am doing. I am just feeling my way through this. Trusting my intuition.” Elizabeth discusses (through the vibration of Hanz Rip) how she has learned that in this space feelings are what matters and that this is how she is figuring out what is going on. Saying: “This is a big part of communicating that I was missing.” She continues that her goal is to create an environment where energies can come together and creatively validate their pain so that it does not consume them. That her effort is to work in the vibration of love, tap into the parts of her being that have "been through terrible things" and bring them together with the parts of her that have created "terrible things." In this way, Elizabeth believes these vibrations can learn to understand each other and "bring peace" to her "energy field". She states that she didn't know she wanted to act until she "learned from channeling" that it's very powerful to express and feel the story of another through you.

Various energies speak Light Language creating a vibrational shift in the channeling session until Elizabeth begins repeatedly calling for Rema. Sounding startled, she states "you always catch me off guard." Elizabeth responds that she senses there is so much light and beauty to this vibration but that there are parts of the stream that feel worried and seem to hide. Drawing attention to how their expression is often sighing, clearing their throat and suddenly saying (or yelling) “Oh F#ck!” when she tries to communicate. Elizabeth questions why this stream seems to feel frustrated with her. The response: “I am not frustrated with you! It’s me. I am a mess!” Elizabeth states 'we are all facing or “S” here.' She notes that this burden that is being carried seems to be weighing them down and questions why not let it go to feel lighter. Rema responds by saying “I am not cut out for this.” Feeling pressured by Elizabeth’s dream to do a dance number together she says “I’m not an entertainer, dancer, runner-arounder.” Elizabeth responds “It will be fun. You don’t have to do it!” To which Rema says "you're always nice and I'm always wrong. So why am I around? I always mess it up."

Elizabeth states that "perception is really about perspective" and that she knows that there have been many times she thought she was right and then found out she was wrong. She says the best thing is to "learn from it" because "otherwise you just keep looping over and over like a tape." Elizabeth continues that she feels there is a way to release the pain that you caused or have been a part of and "locking it away and hiding it" is just "how pain festers and gets worse." She says much of the pain she caused in this lifetime happened with out her realizing she did it and that a lot of the pain she has felt came from others who were probably unaware of their impact.

When questioned about what she plans to do with all her recordings Elizabeth states that she has "no idea" but that it is helping her. She asks Rema, "What do you think I should do?" and "Do you have ideas?" Rema wonders, "Are you going to tell people about us?" to which Elizabeth retorts "That's a good question. Do I need to get releases signed?" When asked what her dream is Elizabeth states "to create collaboratively and write a musical with the universe. So I'm doing it"

Hey! I'd love to hear your thoughts, send me a voice note.

This is Part 2 of Elizabeth's phone call with her friend Beth Scott, a "talented jewelry designer and independent thinker." In this bonus track, Beth asks what happened with the people in Elizabeth's life when things shifted for her spiritually. Elizabeth states that vibrationally many people were pushed out and her "entire reality changed" so that she could "go inward" and not be influenced by the opinion of others. Elizabeth discusses how it has been really difficult for her to meet people and find community. She says that often when she tells people what she is experiencing, they don't seem to understand and look at her like she "is nuts." She continues that she had to find people like Beth who can "grasp" what she is doing. Beth responds honestly stating that initially she was apprehensive and thought, "Oh this is like dead people?" But then she had to consider how some odd things have happened in her life that she can't explain. Beth says, "at some point you have to stop gaslighting yourself." Elizabeth agrees and states how we can often doubt "phenomenal, amazing, miraculous things" because "we're too logical."

Elizabeth discusses how she found that the more she notices and accepts synchronicities in her life the more she seemed to find them. And yet she still struggles with believing in what she is experiencing, especially with the whole storyline of "Beautiful Light." Elizabeth says, "This is somebody that is still living, but it's their vibration communicating with me, trying to heal the conflict." She continues explaining that "a massive part of the story" is her disbelief despite "one incredible experience after another." She says that in the recordings and throughout the past few years vibrations have told her "over and over again" that they are connected to this person. Elizabeth says that she has physically felt experiences through her body that she calls "energetic seizures" tied to this woman and yet she still struggles to accept that it's true. Beth chimes in that she certainly understands the doubt and that it "sounds like a situation that is almost still ongoing." Elizabeth agrees and says, "We all have free will. So I can...work with... vibration and the future vibration of this person. But ultimately, this person has their own free will and their own choices in this."

Elizabeth discusses how some people are starting to accept the idea through Quantum physics that the future can affect the past. She states that she has felt "timeline jumping" through her channeling experiences, sensing that she was "communicating with vibrations" from "various timelines." Beth tries to relate this to her own understanding with "I do have a sense sometimes of future trauma." Elizabeth questions if this is an opportunity for Beth to heal herself but Beth is not convinced. Elizabeth continues that from what she has experienced she believes "you absolutely have the capacity to heal yourself and you absolutely have the capacity to communicate with your own vibration in the future." Elizabeth discusses how after her neck injury she learned to send the vibration of love to her body and discovered that the pain in her body was telling her something about the emotional and energetic wounds that she carries. After making this statement there is a vibrational outburst and Beth remarks at how "cool" it is to hear this sound live because she knows its not a pre made sound effect. Elizabeth discusses how there are so many different sounds with different meanings that come through her and it is as though she has a "vibrational audience that responds" to what she is saying.

The phone call continues with discussions about Elizabeth's understanding of the various streams she works with, how her child seemed to remember past life stories, and what the experience of channeling has told her about life after death.

Hey! I'd love to hear your thoughts, send me a voice note.

This bonus track begins with a channeled session between Elizabeth and her vibrational family discussing a phone call she had with her friend Beth Scott. Elizabeth states that she had decided to record an interview with Beth for the podcast but that this call was only recorded to test out how it would work. Although the recording has some background noise Elizabeth decides they should use it, calling it a "real take on what it's like to connect...on this level, to be able to have this important dialog about vibration" and show another perspective from her own.

The call begins with Beth stating that she "was a little bit worried" that she was "affecting the whole story and the outcome by adding" her "interpretation." Elizabeth is not concerned and feels her vibrational family is not either. She says that throughout her experiences she's met other people who say things that feel like an energetic piece to the puzzle. Beth recalls that while listening to Bonus Track 01-“Clarifying Streams,” about using Latin to understand the stream name Rimono as “again alone" there was a “really emotional point…where you could kind of hear this expression of pain…from all of them.” Beth states that her “brain just kind of does these things” and that “maybe Latin has nothing to do with it.” Elizabeth says, “be careful talking yourself out of anything." She explains that in her channeling, the vibrational streams are telling stories connected to all languages and that it is “all encompassing.” She says the Latin connection is “a home run as far as the whole storyline.” Beth says even though she doesn’t “necessarily believe in…spiritual anything” she could feel “a sense of a vastness of just repeating abandonments” from this energy. Elizabeth is fascinated by Beth's take, knowing she has personally felt the massive expression of “absolute loss of love” through this vibrational work.

Beth inquires how Elizabeth found her way into this creative project - wondering about her art background and how “channeling is intersecting with something of an ability.” Elizabeth says she has always been interested in art and that as a child wanted to sing but often felt muffled. After “various traumas” including a neck injury, Elizabeth realized her “throat chakra was blocked” and could be healed with sound. She began to write songs to overlay the vibration of pain in her body. When her daughter began acting in Middle School she was inspired. Elizabeth says she was learning about manifestation and had been feeling energy so “it was kind of like a crossroads for me to then create this massive idea...to write a musical with the universe.” Beth asks how traumatic events lead to Elizabeth’s ability to channel. Elizabeth says “what happens in the recordings is… the evolvement of being able to accept the traumas” she holds. She continues that “being able to feel the threads of similarities that these other vibrations carry" allows her to relate and “kind of lessens the load.” She says her “body is carrying particular vibrations” and that because those vibrations hold traumas from other realities, they transfer to her life like “karmic loops.” Elizabeth believes that she is “getting to the core wounds” by doing this vibrational healing work.

Discussion continues about how low vibration impacts decision making and how thoughts and words are energy that create reality. Elizabeth states that acting in a higher vibration is ideal but that feelings are important so "wearing a mask" and pretending is not good for your vibration. They discuss energetic impact, making amends, and how "people pleasing" can be detrimental. Elizabeth discusses how she used to feel "not feminine enough" and that she had to learn to own her strength, value her authentic self and let go of fear of judgment. She says this podcast is really all about "coming into harmony" with herself and "sharing what has happened...to see if it helps other people."