For a brand photographer, colour is quietly doing the selling on every logo, every website and every brand client, and most of us never chose it on purpose. Our guest works with colour for a living, and what she reveals about how people react to it will change how you look at your own branding.

If you've ever watched a brand client arrive on shoot day in something that just doesn't work, there's a simple step that prevents it, and it happens long before anyone picks up a camera. You'll also hear about the cheap piece of kit that saves a commercial photographer hours in the edit, and what you should be wearing yourself.

If how you present yourself matters to you, we went further on it back in Styling Yourself as Part of Your Brand.

Most brand photographers lean entirely on their website to get found locally, and miss most of what actually decides who Google shows first. This episode is about everything else — the parts of local search that happen away from your website altogether, and how they work together to tell Google and AI search tools who you are and where you operate.

You'll get a straight read on where photographers most commonly trip themselves up online without realising it, what Google actually rewards versus what quietly gets accounts flagged or shut down, and a handful of low-effort local signals most photographers never think to use.

If you've ever wondered why a photographer with a weaker portfolio than yours is outranking you locally, this is the episode that explains why.

For more on turning one of these signals specifically into leads, go back to Get More Leads Using Google Maps to Your Photography Business.

For more on turning one of these signals specifically into leads, go back to Get More Leads Using Google Maps to Your Photography Business.

If you've ever been told to pick a lane and stick to it, this episode is the counter-argument. Sam talks to Cherry from Simply C Photography, a commercial photographer whose brand clients span food, industrial, property, press and personal branding work across a huge stretch of the country — and asks the question most photographers with that wide a spread struggle to answer: how do you actually make it work?

Cherry's answer draws on a career built well before she picked up a camera professionally, in sales, advertising, IT consultancy and interior design, and it shows up in how she talks to clients long before a shoot is even booked. Expect a genuinely different take on what a commercial photography business is selling, and why the camera might be the smallest part of it.

If the niching debate has ever left you second-guessing your own broad client list, go back to Generalise or Specialise? Niching as a Photographer for the other side of this argument — it's where the show first opened up this exact question.