In this bonus episode we thought we'd do something different and chat about our personal backgrounds, our early cinema memories, and our scholarly interests today. We had fun with this conversation and we hope you enjoy it!

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We love to give book or film recommendations on the podcast, so here are ours for this episode:

• Jason Christian recommends the book-length essay The Devil Finds Work by James Baldwin
• Tony Ballas recommends the book The Antinomies of Realism by Fredric Jameson and the movie Toy Story 5 (2026)
• Paul T. Klein recommends the books The Monster Show by David J. Skal and Anatomy of a Robot: Literature, Cinema, and the Cultural Work of Artificial People by Despina Kakoudaki, as well as the film Intruder in the Dust (1949)

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Like and subscribe to Cold War Cinema, and don't forget to leave us a review! Want to continue the conversation? Drop us a line at any time at coldwarcinemapod@gmail.com.

To stay up to date on Cold War Cinema, follow along at coldwarcinema.com, or find us online on Bluesky @coldwarcinema.com or on X at @Cold_War_Cinema.

For more from your hosts:

• Follow Taylor uses the handle @trgenovese on X, Instagram, and Letterboxd. Information on his scholarship and visual art can be found on his website at taylorgenovese.com.
• Follow Jason on Bluesky at @JasonChristian.bsky.social, on X at @JasonAChristian, or on Letterboxed at @exilemagic.
• Follow Anthony on Bluesky at @tonyjballas.bsky.social, on X at @tonyjballas.
• Follow Paul on Bluesky at @ptklein.com, or on Letterboxed at @ptklein. Paul also writes about movies at www.howotreadmovies.com

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Logo by Jason Christian

Theme music by DYAD (Charles Ballas and Jeremy Averitt).

Happy listening!

In this bonus episode, Jason interviews the historian Whitney Strub about his scholarship and his new book Films That Explode Like Grenades: Robert Kramer and the Search for a Radical Cinema, just published by University of Chicago Press. The book examines the New Left and its underground cinema through the life and films of one its most important participants, Robert Kramer (1939-1999).

Whitney Strub is associate professor of History at Rutgers University–Newark. He is the author of Perversion for Profit: The Politics of Pornography and the Rise of the New Right (Columbia University Press, 2011) and Obscenity Rules: Roth v. United States and the Long Struggle over Sexual Expression (University Press of Kansas, 2013), co-editor of ReFocus: The Films of Roberta Findlay (Edinburgh University Press, 2023), and editor of Queer Newark: Stories of Resistance, Love, and Community (Rutgers University Press, 2024). His work has also appeared in Radical History Review, Journal of the History of Sexuality, The Nation, and Temple of Schlock, among other venues. He is a longtime member and former chair of North New Jersey Democratic Socialists of America.

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We love to give book or film recommendations on the podcast, so here are ours for this episode:

Whitney recommends Roberta Findlay's 1975 adult film Anyone But My Husband and the new book Baltimore's Black Arts Then & Now: Behind the Scenes of a Collaborative Public Humanities Project by Mary Rizzo

Jason recommends the book Revolution in 35mm: Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1960–1990, co-edited by Andrew Nette and Samm Deighan. Check out our interview with Andrew Nette from 2024.

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Like and subscribe to Cold War Cinema, and don't forget to leave us a review! Want to continue the conversation? Drop us a line at any time at coldwarcinemapod@gmail.com.

To stay up to date on Cold War Cinema, follow along at coldwarcinema.com, or find us online on Bluesky @coldwarcinema.com or on X at @Cold_War_Cinema.

For more from your hosts:

• Follow Whitney on X at @whitstrub.
• Follow Jason on Bluesky at @JasonChristian.bsky.social, on X at @JasonAChristian, on Letterboxed at @exilemagic. Jason also writes an infrequent newletter on left-wing cinema at Notes on Radical Cinema.
• Follow Anthony on Bluesky at @tonyjballas.bsky.social, on X at @tonyjballas, or on Letterboxed at @tonyjballas.
• Follow Paul on Bluesky at @ptklein.com, or on Letterboxed at @ptklein. Paul also writes about movies at www.howotreadmovies.com

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Logo by Jason Christian

Theme music by DYAD (Charles Ballas and Jeremy Averitt).

Happy listening!

The Cold War Cinema team returns to discuss Sidney Lumet's 1964 film Fail Safe, a powerful (and bold) independent Hollywood production that paints a horrific picture of a potential nuclear war. The film was released the same year as Stanley Kubrick's Dr. Strangelove and has remained in its shadow, unfairly, ever since.

In this episode we discuss:

• Sidney Lumut's fascinating and underrated cinematic career
• The political and historical context of Fail Safe (1964), a film that captures the paranoia of nuclear proliferation
• The film's critique of war technology and how that maps onto our current era of AI-assisted warfare.
• The limits of Hollywood storrytelling for a truly radical critique of US imperialism

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We love to give book or film recommendations on the podcast, so here are ours for this episode:

Jason recommends the 1992 book Signatures of the Visible by Fredric Jameson.

Paul recommends the novel Advise and Consent by Allen Drury and Otto Preminger's 1962 film adaptiion Avise & Consent.

Tony recommends the book Raymond Chandler: The Detections of Totality by Fredric Jameson and W.E.B. Du Bois's book Darkwater: Voices from Within the Veil.

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Like and subscribe to Cold War Cinema, and don't forget to leave us a review! Want to continue the conversation? Drop us a line at any time at coldwarcinemapod@gmail.com.

To stay up to date on Cold War Cinema, follow along at coldwarcinema.com, or find us online on Bluesky @coldwarcinema.com or on X at @Cold_War_Cinema.

For more from your hosts:

• Follow Jason on Bluesky at @JasonChristian.bsky.social, on X at @JasonAChristian, on Letterboxed at @exilemagic. Jason also writes an infrequent newletter on left-wing cinema at Notes on Radical Cinema.
• Follow Anthony on Bluesky at @tonyjballas.bsky.social, on X at @tonyjballas, or on Letterboxed at @tonyjballas.
• Follow Paul on Bluesky at @ptklein.com, or on Letterboxed at @ptklein. Paul also writes about movies at www.howotreadmovies.com

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Logo by Jason Christian

Theme music by DYAD (Charles Ballas and Jeremy Averitt).

Happy listening!