『Close Enough for Jazz』のカバーアート

Close Enough for Jazz

Close Enough for Jazz

著者: Birch Grove
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10月19日まで。※適用条件あり
Tired of the old jazz paradigm? We call this Close Enough for Jazz because "Modern-Avant-Garde-Polyrhythmic-Sound-Art" was too long for the RSS feed. Join Lindsay and Alan Bjorklund (Birch Grove Media) for unfiltered dialogues with the composers and improvisers pushing the boundaries of the modern and avant-garde jazz scene.

Hosted on Acast. See acast.com/privacy for more information.

Birch Grove
アート エンターテインメント・舞台芸術 音楽
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  • Pure Improvisation, the Denver Jazz Scene, and Turning Off the Inner Critic with Kenny Warren
    2026/09/24

    We sit down with trumpeter Kenny Warren to explore the boundless possibilities of modern improvisation and the magic of trusting your instincts on the bandstand. Kenny opens up about his deep connection to free improvisation, describing it as a childlike state of uninhibited play, and details how he turns off his "inner critic" during esoteric sessions. We reflect on his formative years in the Denver scene with the legendary Ron Miles, his "jazz prog rock" roots with JP Schlegelmilch, and the collaborative strength of their current project, Slow Tiger. Kenny also shares his thoughts on the process of mixing and editing albums—comparing psychedelic post-production to a David Lynch film—and discusses how he adapts his compositions when writing for his Sweet World trio.


    Note: Birch Grove Media does not own the recordings featured in this episode.


    Catch the Slow Tiger album release gig at Three's Brewing on September 27th.


    Timestamps:


    00:30 - Forming the Sweet World trio and adjusting to unique instrumentation


    02:34 - The slippery slope of editing and mixing your own albums


    07:59 - The "David Lynch" moments of psychedelic editing in jazz


    08:37 - Taking inspiration from cellist Hank Roberts


    09:29 - The magic of pure improvisation vs. playing written music on tour


    17:32 - Navigating uninspired moments on the bandstand


    19:57 - Trusting the process and turning off the "inner critic"


    26:21 - Growing up in the Denver jazz scene with Ron Miles


    30:35 - How to compose for specific musicians and adapting to line-up changes


    42:09 - The history of Slow Tiger and taking inspiration from Sonic Youth


    46:13 - Balancing the writing duties in a collective band


    51:34 - Outro: Making new music with Tyler Gilmore and Carlo Costa


    BIRCH GROVE MEDIA


    Web: birchgrove.io


    Follow us: @birch.grove.media on Instagram.


    Watch on YouTube: youtube.com/@BirchGroveMedia


    Get the Record: Shop our current 180g LP and digital releases on our website. Rate and review us on Apple Podcasts or Spotify.

    Hosted on Acast. See acast.com/privacy for more information.

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    54 分
  • Revisiting the Golden Era of Williamsburg Jazz with the Alessi Quartet
    2026/09/17

    We open the vault for another installment of our Blind Pig series, traveling back 20 years to September 15, 2006, for a rare bootleg of the Ralph Alessi Quartet live at Layla Lounge. In this episode, we revisit a nostalgic set at the Williamsburg Jazz Festival featuring Ralph Alessi on trumpet, Brad Shepik on guitar, Scott Colley on bass, and a 26-year-old Tyshawn Sorey on drums. We reflect on the vibrant, pre-condo Brooklyn loft scene of the mid-2000s, exploring the history of lost venues and the grassroots origins of the Williamsburg Jazz Festival. We also unpack what these heavyweight musicians were up to in 2006, from Alessi’s School for Improvisational Music (SIM) to Brad Shepik’s Balkan folk-jazz integrations, while listening to the quartet's intense interplay over the ambient sounds of a Brooklyn hookah bar. Note: Birch Grove Media does not own the recordings featured in this episode.


    Timestamps:


    00:25 - Introducing the Ralph Alessi Quartet bootleg from September 15, 2006


    10:41 - Tyshawn Sorey’s dynamic playing and Brad Shepik's groovy soloing


    12:33 - The aesthetic of Layla Lounge and mid-2000s Williamsburg


    14:43 - The history of the Williamsburg Jazz Festival and the FONT festival


    17:08 - Ben Neill's Mutantrumpet and other featured festival artists


    27:53 - Hookah lounge acoustics and talking during the bass solo


    30:30 - What Alessi, Shepik, and Colley were recording in 2006


    32:58 - A 26-year-old Tyshawn Sorey touring with Steve Coleman


    45:27 - "Allesorey": The intense duo interplay between Ralph and Tyshawn



    BIRCH GROVE MEDIA


    Web: birchgrove.io


    Follow us: @birch.grove.media on Instagram.


    Watch on YouTube: youtube.com/@BirchGroveMedia


    Get the Record: Shop our current 180g LP and digital releases on our website. Rate and review us on Apple Podcasts or Spotify.

    Hosted on Acast. See acast.com/privacy for more information.

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    47 分
  • Jazztronica, Dream Melodies, and The Big Machine with Aaron Burnett
    2026/09/10

    This episode features saxophonist Aaron Burnett to explore his evolution into "Jazztronica," discussing everything from auditioning for Wynton Marsalis over the phone to building a custom digital pedalboard in Ableton. We examine his unique compositional process, which he describes as "downloading" full melodies from his dreams—a method that helped him write his upcoming swinging, nostalgic album Archangel at just 21 years old. Aaron breaks down his boundary-pushing group The Big Machine and details his use of audio-to-MIDI pitch followers to manipulate his saxophone sound. We also discuss his experiences touring with powerhouse vocalists like Esperanza Spalding and Corinne Bailey Rae, including a nightmare scenario where an airline destroyed his baritone saxophone right before a week of gigs. Packed with stories about going viral with drum and bass remixes and shouting out the next generation of killer musicians, this episode covers the cutting edge of modern improvised music



    Note: Birch Grove Media does not own the recordings featured in this episode.






    Chapter Timestamps:


    01:01 - The culture of sitting in on gigs and finding inspiration


    05:22 - The Big Machine: Fusing modern classical, hard bop, and world music


    07:11 - Creating "Jazztronica" with Ableton and audio-to-MIDI modules


    12:19 - Branding the music and the upcoming Quantum Breaks project


    16:37 - Bringing dance music back into the modern jazz ecosystem


    17:27 - Taking inspration from Tyshawn Sorey, Morton Feldman, and Steve Coleman


    21:53 - Going viral on social media with a drum and bass remix of "Countdown"


    25:51 - Touring with Esperanza Spalding and Corinne Bailey Rae


    28:43 - "Downloading" melodies from dreams and the upcoming Archangel album


    31:38 - Auditioning for Wynton Marsalis over the phone with "Cherokee"


    37:25 - Shouting out the next generation of killer jazz musicians


    41:07 - Aaron's best gig ever: Roulette with Craig Taborn and Tyshawn Sorey


    42:17 - The worst gig ever: Playing a European tour with a broken baritone saxophone





    BIRCH GROVE MEDIA


    Web: birchgrove.io


    Follow us: @birch.grove.media on Instagram.


    Watch on YouTube: youtube.com/@BirchGroveMedia


    Get the Record: Shop our current 180g LP and digital releases on our website. Rate and review us on Apple Podcasts or Spotify.


    AARON BURNETT


    https://www.instagram.com/aarondjuan/?hl=en


    https://aarondburnett.bandcamp.com/


    https://soundcloud.com/aaron-burnett-music


    https://www.youtube.com/@aaronburnett476

    Hosted on Acast. See acast.com/privacy for more information.

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    46 分
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