Which Bollywood movies did we once love but can no longer defend?

In this special Cine5 × Has It Aged Well crossover, Abbas and Urjita join Karan and Shreemi to revisit Bollywood films that haven’t aged particularly well. From Pardes, Ghajini and Dostana to Raja Ki Aayegi Baaraat, Yaadein, Rock On!!, Rehnaa Hai Terre Dil Mein and Black, the four debate dated romances, problematic plots, questionable representation and the power of nostalgia.

Do these films still deserve their “classic” status, or have they aged horribly? Watch the episode and share your picks in the comments!

What happens when a serious film critic is asked to defend the movies he loves for all the “wrong” reasons?

Rahul Desai joins Karan Mirchandani and Shreemi Verma on Cine5 to rank their top five guilty-pleasure Hindi films, although none of them feels particularly guilty. The conversation travels from Hrithik Roshan’s face vibrations in Aap Mujhe Achche Lagne Lage and the fake Undertaker in Khiladiyon Ka Khiladi to Sridevi selling Anil Kapoor for two crores in Judaai.

The lists get wilder with Koyla, Karzzzz, Naseeb Apna Apna, Swarg, Garam Masala, No Entry, Raaz, Dhan Dhana Dhan Goal, What’s Your Raashee?, Kites, Kaante, Mujhse Dosti Karoge! and Dulhan Hum Le Jayenge.

Expect copied soundtracks, questionable heroes, iconic wigs, reincarnation, domestic chaos, football melodrama, ghosts, sad pole dancing and films that are impossible to defend but even harder to stop watching.

Tell us your own Top 5 guilty-pleasure films in the comments.
Cine5 is hosted by Karan Mirchandani and Shreemi Verma.

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What makes a truly great movie twist?

In this episode, the hosts rank their favourite plot twists from Bollywood and Hindi cinema, including Jewel Thief, Don, Table No. 21, Madhumati, Being Cyrus, Talaash, Gupt and Khakee.

They debate classics versus modern thrillers, revisit unforgettable reveals, discuss why some movies demand an immediate rewatch and celebrate Hindi cinema’s long-standing obsession with pulling the rug out from under the audience.

There’s also Rajeev Khandelwal nostalgia, some Om Shanti Om–Madhumati genealogy and a completely necessary argument about alternate versions of Bollywood songs.

Warning: major spoilers ahead.