Come with us to a land down under this week as we head back to Australia for a look at Peter Weir's first feature film, The Cars That Ate Paris.

Paris is a small town with a terrible secret. Cars roll off the road at an alarming rate. The drivers are often killed in the crashes or rendered brain damaged. What's going on there? Poor mild-mannered Arthur finds out the hard way when his brother crashes the car and he is the only survivor left to find his way in this town where the people lure drivers to their deaths and then loot what remains. Things were going so well but the youth are restless. They tear around town in cars cobbled together from bits and pieces, nightmare vehicles that threaten to consume the entire town in a demolition derby of mayhem if anyone in town tries to impose any kind of order on them.

In many ways, Weir's movie is a forerunner for Mad Max, painting a picture of an Australia in crisis. Fuel is as hard to come by as work is. Everyone is on edge and the old order is desperate to hold onto its power. It's an odd movie that Dave loves and Bryan is conflicted over. Check out this episode to get all the info.

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This week we reach the terminal point for giallo in Italy. This is it, the bottom of the barrel, the definitive end, a bloated vanity project by director Al Festa to showcase his wife, Stefania Stella who ostensibly plays herself in this murder mystery in the style of old gialli.

In Fatal Frames we find music video director Alex Ritt, haunted by the recent murder of his wife, drawn to Rome to direct a blockbuster music video for Italy's hotted pop star, Stefania Stella. When he arrives, however, violence follows him as the bodies pile up and he is the prime suspect in the police investigation. But he's not killing these women. So who is? Why are they so focused on Alex? How does Stefania Stella fit in to all this nonsense?

Sporting a cast chock full of Italian movie legends and a few American horror favorites like Donald Pleasance, Linnea Quigley, and Angus Scrimm, Fatal Frames is an absolute shit show, a tremendously convoluted giallo that doesn't work as a giallo and definitely doesn't work as a showcase of Stefania Stella's talents. Not to be mean or nothin', but the lady has none to speak of. But this movie is a worthwhile watch. It's a baffling series of weird decisions and bad acting.

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This week we're diving in (get it?) to one of the most successful and well-known of the disaster epics of the 1970s, Irwin Allen's first disaster feature: the Poseidon Adventure.

Taking place on New Year's Eve, an old cruise ship is on its last voyage to port in Athens when a sudden rogue wave hits the ship and capsizes it, sending most of the passengers and crew to their deaths. A ballroom full of passengers manage to survive and make a plan to climb the ship and reach the thinnest part of the hull in hopes of being rescued but each one of them brings their own complications to make this the adventure of a lifetime.

Starring an ensemble cast with Gene Hackman, Ernest Borgnine, Red Buttons, and more, this movie took the model set by 1970's Airport and expands the scope and ambition for a truly suspenseful but clunky story with maybe too many characters for its own good.

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