“No way was Dr. John was going to let Katrina pass into history without saying what he had to say. But no way could anyone have seen this coming. City That Care Forgot is at once the most fervent, acerbic, livid music Mac Rebennack has ever made; the most eloquent and probably the funkiest, too. Dr. John has never been one for grand statements or even topicality, but he’s rightfully, righteously pissed.

His city, his people, those who made New Orleans home and love it as much as he does, were knocked down hard, but not out: that’s his message. “All you gotta do is want it bad enough,” he repeats in “You Might Be Surprised.” Others have said it in music since the catastrophic events, but perhaps none with as much clarity, force, optimism, fight and, ultimately, love. He wanted this record to be an event, so Dr. John brought in some heavies to augment his regular band: Eric Clapton is swampy and biting on three tracks; Terence Blanchard blows his trumpet with a heart full of soul on two. Willie Nelson lends his voice, Ani DiFranco hers.

But it’s not the visitors who get noticed here; it’s the singer who names names and points fingers and demands closure. Dr. John may be the first artist ever to rhyme hurtin’ and Halliburton, but in this “second battle of New Orleans,” as he calls the city’s efforts at resurrection, in this place of “‘drowning victims’ full of bullet holes” (extra quote marks his-to indicate major skepticism), there is care after all.

It comes from those, like Dr. John, who refuse to see their home die, and it’s all wrapped up in quintessential NOLA music that leaves no doubt this city’s still got plenty of living to do.” Jeff Tamarkin

With it being 20 years in August since Hurricane Katrina wreaked havoc on New Orleans, I thought it was long overdue for me to feature this classic album.

Plus new releases from Buddy Guy, Maria Muldaur, Janiva Magness, Mike Henderson, Candice Ivory, Kirk Fletcher, Alexis P Suter Band, Raphael Wressnig and Kent Burnside.

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“Anders Osborne “Coming Down” was his first studio recording in over five years. On Coming Down Anders sings about his two great loves, his wife and New Orleans. The CD finds Anders in a sparse setting that showcases his songwriting. One of the highlights of the CD is the song “Katrina.” Anders and his family moved backed to New Orleans six weeks after the devastating hurricane. Recorded in Nashville and New Orleans, Coming Down was co-produced by Anders and Troy Verges (BMI country songwriter of the year).”

He's created one of the best albums of the year. Paste Magazine

I’ve been hunting my copy of this sublime record for a decade and its finally returned to my hands and I can’t wait to feature it for you this week.

Plus new releases from Buddy Guy, Maria Muldaur, Charlie Musselwhite, Janiva Magness, Tom Hambridge, Candice Ivory, Mike Henderson, Kent Burnside, Kirk Fletcher, GA20, Chambers DesLaurier, Willie Buck & Bob Corritore, Monster Mike Welch and the Alexis P Suter Band.

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“Known to music fans around the world as the “King of the Boogie,” John Lee Hooker endures as one of the true superstars of the blues genre: the ultimate beholder of cool.

His work is widely recognized for its impact on modern music – his simple, yet deeply effective songs transcend borders and languages around the globe. Each decade of Hooker’s long career brought a new generation of fans and fresh opportunities for the ever-evolving artist. He never slowed down either: As John Lee Hooker entered his 70s, he suddenly found himself in the most successful era of his career – reinvented yet again, and energized as ever, touring and recording up until his passing in 2001.”

John Lee Hookers been on my mind in August, after his birthday a couple of weeks ago and I thought I’d celebrate together by putting together a classic collection of his earliest and most successful songs, plus tracks from 1989s chart topping The Healer.

Plus new releases from Buddy Guy, Maria Muldaur, Bobby Rush & Kenny Wayne Shepherd, Charlie Musselwhite, Mike Henderson, Larry McCray, Candice Ivory, Monster Mike Welch, Alexis P Suter Band, Raphael Wressnig, Chambers DesLaurier and Willie Buck & Bob Corritore.

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“The ultimate “blues brother”, Eric Bibb is known and revered globally as a fiery singer- songwriter with true soul, grounded in the folk/blues tradition but with contemporary sensibilities.

Testament to his endurance as one of the most relevant, leading bluesmen of our time, Eric’s most recent album, Ridin’, has received a Grammy nomination in the Best Traditional Blues Album category. It sits in the Top 10 of multiple blues and roots charts, has over three million Spotify streams and been lauded by critics as his “late life classic” and “a fervent gospel-backed blues manifesto”. The past twelve months alone has seen his entire catalogue clock up 15 million streams.

It is easy to point to Eric’s accomplishments. A five-decade career recording with folk and blues royalty. Three Grammy nominations and multiple Blues Foundation awards. A following that not only crosses borders, it crosses continents.”

I’m super excited to feature Eric incredible 1999 Ruf Records release Home To Me this week.

Plus new releases from Buddy Guy, Maria Muldaur, Mike Henderson, Candice Ivory, Willie Buck & Bob Corritore, Raphael Wressnig, Roomful Of Blues, Alexis P Suter Band, Jo Harman, Tom Hambridge and Monster Mike Welch.

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“Slant 6 Mind is Greg's thirteenth album on Red House Records and a Grammy nominee! It's got a swampy, funky, lowdown sound that ranges from driving rhythms to sensuous folk and back again. The musicians are great and the combination of guitar players Greg, Kelly Joe Phelps, and Bo Ramsey is superb. The feel of Slant 6 Mind reaches back to Greg's earlier albums, such as Down in There as it evokes the landscape and people that created him a world he sketches with the artistry of writers like William Faulkner, Bruce Springsteen or Robert Frost.”

I’m excited about sharing this wonderful record with you this week. Plus plenty of the most exciting new releases hitting my inbox right now. With songs from Buddy Guy, Maria Muldaur, Charlie Musselwhite, Bobby Rush & Kenny Wayne Shepherd, Candice Ivory. Monster Mike Welch, Mike Henderson, Chambers DesLaurier, Willie Buck & Bob Corritore, Raphael Wressnig and Jo Harman.

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“Blues scholar Guy Davis is an equally adept player, singer and storyteller in the tradition of his mentor, Taj Mahal. On Skunkmello, named for a legendary chicken thief who was caught and hanged for his crimes around 1900, rootsy troubadour Davis travels from the straight country-blues of “Natural Born Eas’Man” and his Piedmont-flavored original “The Chocolate Man” to the gritty South Side Chicago blues of “It Takes Love to Make a Home” without missing a beat.

He blows some mean harmonica on a cover of the classic “Going Down Slow,” accompanied by former Paul Butterfield Blues Band keyboardist Mark Naftalin on Hammond B3 organ and John Platania of the Van Morrison Band on some piercing electric guitar. And he summons up some commanding Howlin’ Wolf-ish vocals on the haunting “Shooting Star.” Davis, a naturally gritty soulful vocalist, also demonstrates some authentic claw-hammer banjo technique on two old-timey unaccompanied numbers, “Shaky Pudding” and “Blackberry Ramble,” and also on the folkloric title track.

The chilling closer, “Uncle Tom Is Dead (Milk ‘n’ Cookies Remix),” is an educated, old-schooler’s indictment of rap music that carries an important, socially charged message for a generation that has lost its sense of history.” Bill Milkowski 2006

I’m beyond excited to finally feature for you this uncredible record this week.

Plus new releases from Buddy Guy, Mike Henderson, Maria Muldaur, Bobby Rush & Kenny Wayne Shepherd, Janiva Magness, Willie Buck & Bob Corritore, Kirk Fletcher, Chambers DesLaurier and Larry McCray.

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The roots of the style that would become Otis Taylor’s most recognizable contribution to blues can be found on Truth Is Not Fiction (Telarc Records) released in 2003. Music critics were both enthralled and a bit mystified by Taylor’s signature “Trance Blues” electric, psychedelic style.

Truth is Not Fiction earned a top 10 album of the year listing from the New York Times and was also featured with rave reviews from USA Today, Washington Post and NPR, and the record culminated in a Downbeat critics award for “Blues Album of the Year.”

Im excited to feature this 2003 from classic from Otis Taylor this week.

Plus new releases from Buddy Guy, Mike Henderson, Janiva Magness, DK Harrell, Bobby Rush & Kenny Wayne Shepherd, Maria Muldaur, Kent Burnside, Willie Buck & Bob Corritore, Gerald McClendon, Chambers Deslaurier and Garry Burnside.

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“Tony Joe White's 2013 album is awash in danger, spiritual uncertainty and environmental fury. Hoodoo's lyrical concerns are matched by a particularly intense strain of White's trademark swamp funk. Hence the title's double edged meaning: 'hoodoo' referring both to the songs' ominous tone and the palpable vibe that filled the studio as the songs were cut. Cut mostly live to tape - vocals and all - much of Hoodoo consists of first takes. Culled from an initial stack of 17 tunes, the 9 songs that comprise the album come alive in the haunting atmosphere and intensity of the stripped down recording process…”

With Tony Joe Whites birthday last week, I’m thrilled to feature this wonderful album this week.

Plus new releases from Buddy Guy, Charlie Musselwhite, Janiva Magness, Maria Muldaur, Bobby Rush & Kenny Wayne Shepherd, Southern Avenue, Little Charlie Baty, Kent Burnside, Jon Cleary, Kirk Fletcher, Tad Robinson, Larry McCray and Garry Burnside.

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