This week’s show is a journey through the living, breathing continuum of the blues — from its earliest recorded ghosts to one of its most vital modern storytellers. We begin with a remarkable moment in music history: the sudden appearance online of what appears to be a previously unheard test pressing of Robert Johnson’s Cross Road Blues. This version, reportedly transferred from an original wax cutting, reveals a rawness and immediacy that feels almost impossible after nearly a century. It’s Johnson not as legend, but as a man singing and playing his guitar in a hotel room, in front of a microphone, long before the legend will become folklore. Discoveries like this remind us how fragile the lineage is — and how powerful it remains.

From there, we move into the heart of the program: a deep dive into One Mississippi, the brand‑new album from Eric Bibb. I’ve been interviewing Eric since the mid‑90s, and our latest conversation is one of the most insightful we’ve shared. This album marks a new era for him — creatively, personally, and professionally. Recorded with producer Glen Scott in Sweden, One Mississippi blends Bibb’s signature warmth with a renewed sense of freedom and purpose. It’s an album about history, humanity, and the stories that connect us, delivered with the clarity of an artist who knows exactly what he wants to say.

We’ll explore the making of the record, the musicians who shaped it, the themes that run through it, and the evolution of Bibb’s sound as he steps into full independence. Along the way, we’ll feature standout new releases from across the blues and roots landscape, showcasing artists who continue to push the tradition forward.

Like Lil Ed & The Blues Imperials, Mike Finnigan, Robert Randolph & The Family Band, Laura Chavez, Kim Wilson, Selwyn Birchwood and Parlour Greens

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Joy is the first thing that walks into the room this week — bright, unhurried, and absolutely contagious. It’s in the new music, it’s in the stories, and it’s especially in the voice of Ruthie Foster, whose insights peppered throughout the show feel like little bursts of sunlight. Fresh from her 2025 Grammy win, she speaks with that unmistakable mix of humility, humour, and hard‑earned wisdom, and every time she does, the whole show lifts a little higher.

That joy threads right through the opening run of new releases — Eric Bibb easing us in with One Mississippi, Mike Finnigan reminding us why his spirit still resonates, Studebaker John shaking the dust off the week, Billy Branch firing up the room. Then Selwyn Birchwood, Robert Randolph, Parlour Greens, and Lil’ Ed keep the energy rolling, each track adding its own colour to the palette.

But the heart of the show — the part that glows — is Mileage. Ten tracks, each one paired with a moment from Ruthie. She talks about that elusive Grammy, about what’s changed and what hasn’t, about heartbreak, healing, Tyler Bryant producing, stepping away from the biz, coming back inspired, and that final emotional release that left both of us sitting in the quiet for a moment. Even the tough stories feel lighter in her hands, because she carries them with gratitude, not weight.

By the time we hit the final stretch — Kingfish, Kim Wilson, Laura Chavez, and Eddie 9V closing us out — the whole show feels like a celebration of endurance, connection, and the simple joy of making it through another week with music as your companion.

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This week on Blues With A Feeling, we’re diving deep into the world of one of the great modern torchbearers of Texas blues guitar — Sue Foley. With Sue celebrating her birthday last week, and with her brand‑new book Guitar Woman: Conversations and Life Lessons with the Heroines of Guitar on the way in June, it felt like the perfect moment to revisit her remarkable story and her 2021 album Pinky’s Blues.

Sue’s been out on the road recently with her One Guitar Woman tour — intimate, powerful shows honouring the women who shaped the culture of the instrument. Now that she’s finally off the road after a huge couple of months, we’re revisiting my 2021 interview with her, recorded just after Pinky’s Blues was released. Across the show you’ll hear cuts from that conversation, tracks from Pinky’s Blues, and a bonus set from her acclaimed 2018 album The Ice Queen.

But that’s not all. The blues world is absolutely humming right now, and I’ve lined up a set of stunning new releases that have been bending my heartstrings all week. You’ll hear:

Mike Finnigan – from his newly released posthumous debut, Eric Bibb – with a powerful track from One Mississippi ahead of his 18‑date Australian tour, Lil Ed & The Blues Imperials – tearing it up on their new Alligator Records release Slideways and Billy Branch & The Sons of Blues – delivering modern blues for modern times on Blues Is My Biography.

It’s a big, beautiful show this week — full of history, heart, and the very best of what the blues is doing right now.

Settle in and turn it up!

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