When a catastrophe affects millions of people, who gets to decide how the person responsible is remembered?

Adam reviews Digger, examining its theatrical reconstruction of an environmental disaster, Tom Cruise's performance as an actor challenging that reconstruction and the deeper question raised when the people controlling the story are revealed to have their own connection to the history they're supposedly exposing.

Charlie is smart, well-read and completely unsure what he wants to do with his life.

That kind of drifting protagonist has been a staple of American independent film for decades; but in Charlie Harper, the archetype sometimes feels like it belongs to an earlier generation.

Adam looks at the movie's strong central performances, nonlinear memory structure and the missed opportunity to let its 2008 setting shape the relationship more deeply.

A guy meets a woman named Emily, gets the wrong phone number and finds another Emily while trying to track down the first one.

That is already a great rom-com setup.

Adam reviews Finding Emily and explains why its central chemistry works, why the supporting characters are so important and how the decision to turn Owen into the subject of Emily’s psychology research creates an ethical conflict far bigger than the movie’s romantic ending can comfortably resolve.