エピソード

  • How to practically implement redundancy and division of labor
    2026/08/10

    Last week I revisited the most controversial video I've ever made and said what I should have said the first time: it isn't can you run everything on one computer — it's should you. This week pays that off. This is the most practical episode we've ever done.

    Two listeners asked the same question from opposite ends of it. Jonny said the idea left him feeling "sort of doomed, stuck with my setup." Logan's maxed-out MacBook Pro currently runs the entire show — tracks, vocal tuning, keys, guitar patch changes — and he wants to know whether a powerful computer makes division of labor unnecessary. It doesn't, because the question was never if that computer crashes.

    So we walk the diagrams: what actually stops working when one machine does everything and goes down, where to start when the budget is real, which splits cost nothing, and the one question that decides what deserves a backup at all.

    Last week's episode: The in-ears video I got wrong — and the one I should have made

    Listener-exclusive: a 14-day free trial of a full paid Pliris account — fromstudiotostage.com/pliris/friend. It isn't linked or advertised anywhere on the site; it's for people who listen.

    Chapters

    0:00 Where we left off last week
    1:34 "I run everything on one computer"
    2:44 So what happens when it goes down?
    3:17 Division of labor, in one diagram
    4:10 Redundancy — and what it buys you
    5:17 "I feel sort of doomed and stuck"
    5:52 Logan's email
    7:03 How do you apply this without endless budget?
    11:39 "Just play your damn instruments, kids"
    12:35 What if you lose autotune?
    14:22 Be honest about what your show needs
    16:35 What you can split for free
    17:26 Split as far as budget allows
    18:37 Step one — division of labor
    20:46 Step two — redundancy for playback
    21:49 It used to be expensive. It isn't now.
    24:10 Step three — redundancy for what's crucial
    27:24 "What must stay on for the show to go on"
    28:25 Zero budget? Start anyway
    30:16 Free trial + the annual commitment
    31:07 Only you are in charge of your destiny

    ★ Support this podcast ★
    続きを読む 一部表示
    32 分
  • The in-ears video I got wrong — and the one I should have made
    2026/08/03

    Three years ago I made one of the most controversial videos I've ever put out: What's Wrong With Using Ableton to Run In-Ear Monitors? Looking back at the comments, I think I made the wrong video.

    So this week I read the pushback out loud — the people running everything from one machine, the keyboardist who's done ten years and multiple European tours from one Logic session and whose only two failures were a photographer stepping on a power cable, and the guy whose bassist and drummer felt latency he couldn't — and I say what I should have said the first time.

    It comes down to two things. It isn't can you, it's should you. And what happens when that computer crashes — which isn't a matter of if.

    Next week: how we practically apply redundancy and division of labor when we don't have unlimited budget, aren't traveling, and aren't playing arenas with giant teams.

    The video this episode is about: What's Wrong With Using Ableton to Run In-Ear Monitors?

    Listener-exclusive: a 14-day free trial of a full paid Pliris account — fromstudiotostage.com/pliris/friend. It isn't linked or advertised anywhere on the site; it's for people who listen.

    Chapters

    0:00 The video I got wrong
    0:53 Why I made it — and why it was off-subject
    1:44 The eight reasons, and what they missed
    3:15 "I run IEMs through my interface without problems"
    4:02 Ten years, one Logic session, European festivals
    5:19 It's not can you — it's should you
    6:40 The line I should have opened with
    7:35 What a stepped-on power cable actually costs you
    10:08 When your drummer feels latency and you don't
    11:05 What it really takes, part one: 32 inputs
    14:20 Ten outputs — and the problem front-of-house can't fix
    16:35 The split snake
    18:22 Scaling it to a full band
    20:10 Why would you manage all of this?
    21:32 Where this video ended up: the bootcamps
    23:20 It comes down to two things
    23:46 A listener-only offer
    26:01 Jonny's comment — and what's next week

    ★ Support this podcast ★
    続きを読む 一部表示
    27 分
  • How One Gig Became a Music Direction Company | Nate Day & Mat Landry
    2026/07/27

    Nate Day and Mat Landry got hired on the same artist in 2021. Neither was a playback engineer. One of them had to become one — and that accident became Eights Creative, a Toronto company now doing music direction and playback systems for artists around the world.

    We talk about the path a lot of you are already on: you play an instrument, somebody asks if you can "do playback," and suddenly you're the one who keeps getting called. Nate and Mat break down what music direction actually is — taking an artist's album and deciding what it becomes on a stage — and why playback engineers so often make good MDs.

    Then it goes somewhere I didn't plan. I asked how highly skilled, hardworking people avoid getting bitter when the thank-yous go to everyone but the tech. Their answer reframed the job for me: you're not there to serve the artist so much as the person who bought the ticket, paid for parking, and found a babysitter. And the real deliverable isn't a working rig — it's a client who feels confident.

    We finish practical: how they run arrangements and approvals, why they'll tell an artist to rent instead of buy, and how one sub drummer and an afternoon of stem exports led them to Bands.

    Eights Creative: eightscreative.com · @eightscreative

    Chapters
    00:00 Intro
    02:56 Meet Nate and Mat from Eights Creative
    06:09 The ELIO gig and the birth of Eights Creative
    11:28 Playback is the skill that gets you the gig
    16:17 What music direction actually is
    22:13 The playback + MD combo role
    25:47 How involved is the artist, really?
    28:26 Staying un-jaded when nobody thanks the tech
    31:50 "We're not curing cancer" — serving the audience
    35:04 Campfires, RTP ports, and why live performance matters
    43:43 Inside Eights: creative clients vs. systems clients
    48:36 Why we tell artists to rent instead of buy
    51:47 How we prep a band before rehearsal
    53:54 The Isaiah story — hours of exports, solved
    1:00:57 Thanks and wrap

    Listeners get a 14-day free trial of Pliris, which we don't offer anywhere else:
    https://fromstudiotostage.com/pliris/friend

    Join as an annual All Access member and I'll personally help you migrate your entire catalog — first 50 only.

    More about Pliris: fromstudiotostage.com/pliris
    Docs: fromstudiotostage.com/docs
    The Bands app: bands.fromstudiotostage.com

    Questions? support@fromstudiotostage.com or @fromstudiotostageig on Instagram.

    Mentioned: ELIO · The Beaches · Metric · Toronto Metropolitan University · Ableton Live · iConnectivity PlayAUDIO · DirectOut PRODIGY · Roland SPD · RTP-MIDI

    ★ Support this podcast ★
    続きを読む 一部表示
    1 時間 4 分
  • Where I've Been for 327 Days
    2026/07/20

    After 327 days away, I'm back with a lot to share.

    In January 2025 I took a full-time road gig as TobyMac's playback engineer. In the same stretch I got rid of my office and the three people who helped me run this business, all left.

    Meanwhile, AI was changing how everyone learns, I was struggling with what being a creator on social media means, and re-focusing on my mission to make complex things simple.

    So I started building a vibe-coded app to keep my own band organized became Pliris: upload your stems, get back song sections, key and tempo, LTC, lyrics, chords, and a downloadable Ableton set.

    Overnight, it compressed five weeks of Playback Method curriculum into a single upload.

    Here's my path forward, and what I'm working towards till the end of the year.

    Chapters
    00:00 Back after 327 days
    02:21 How the TobyMac gig found me
    04:09 "Prepare to be amazed"
    07:27 What a road gig did to a solo business
    11:15 The ChatGPT answer that was half wrong
    13:46 The mission: making complex things simple
    16:12 The Ableton app I never shipped
    17:44 Vibe coding the Bands app
    20:11 Becoming Pliris
    23:07 The top secret master plan
    26:08 Five weeks of curriculum in one upload
    36:34 Why I went quiet: the influencer problem
    42:44 1,000 members by the end of 2026
    48:27 Sneak peek: the Files app


    Listeners get a 14-day free trial of Pliris, which we don't offer anywhere else:
    https://fromstudiotostage.com/pliris/friend

    Join as an annual All Access member and I'll personally help you migrate your entire catalog — first 50 only.

    Grab the free tracks template: fromstudiotostage.com/template
    Read the master plan: fromstudiotostage.com/blog/the-from-studio-to-stage-secret-master-plan
    More about Pliris: fromstudiotostage.com/pliris
    Docs: fromstudiotostage.com/docs
    The Bands app: bands.fromstudiotostage.com

    Questions? support@fromstudiotostage.com or @fromstudiotostageig on Instagram.

    Next week: Nate Day and Mat Landry of Eights Creative.

    ★ Support this podcast ★
    続きを読む 一部表示
    54 分
  • Apple Silicon vs Intel Macs for Playback
    2025/08/25

    This week we're talking Apple products. Specifically, the differences between Apple silicon and intel processors, and which one you should consider for playback.

    Take your first step towards becoming a world-class Playback Engineer, download our free Playback Template!
    Download for Free
    https://fromstudiotostage.com/template

    Send us a question on Instagram
    https://www.instagram.com/fromstudiotostageig/

    Links & Resources Mentioned in this Video
    https://pages.fromstudiotostage.com/backline

    ★ Support this podcast ★
    続きを読む 一部表示
    21 分
  • Ableton & Lightkey
    2025/08/18

    This week we discuss how to use Ableton with Lightkey. Specifically, using Ableton and MIDI to preprogram your lights for easy recall.

    https://lightkeyapp.com/en

    Take your first step towards becoming a world-class Playback Engineer, download our free Playback Template!
    Download for Free
    https://fromstudiotostage.com/template

    Send us a question on Instagram
    https://www.instagram.com/fromstudiotostageig/

    Links & Resources Mentioned in this Video
    https://pages.fromstudiotostage.com/backline

    ★ Support this podcast ★
    続きを読む 一部表示
    25 分
  • Crash Into MIDI | Solutions For Making MIDI More Stable
    2025/08/11

    This week we discuss how to solve issues related to crashing MIDI in our Ableton sessions. Is it cables, adapters, USB hubs? We get into how to diagnose the problem and potential work arounds.

    Take your first step towards becoming a world-class Playback Engineer, download our free Playback Template!
    Download for Free
    https://fromstudiotostage.com/template

    Send us a question on Instagram
    https://www.instagram.com/fromstudiotostageig/

    Links & Resources Mentioned in this Video
    https://pages.fromstudiotostage.com/backline

    ★ Support this podcast ★
    続きを読む 一部表示
    18 分
  • Redundancy and the iConnectivity AUDIO4c
    2025/08/04

    On this week's episode, we revisit our favorite topic (redundancy) through the filter of the iConnectivity AUDIO4c, as well as other iConnectivity gear.

    Take your first step towards becoming a world-class Playback Engineer, download our free Playback Template!
    Download for Free
    https://fromstudiotostage.com/template

    Send us a question on Instagram
    https://www.instagram.com/fromstudiotostageig/

    Links & Resources Mentioned in this Video
    https://pages.fromstudiotostage.com/backline

    PlayAUDIO1U

    iConnectivity AUDIO4c

    ★ Support this podcast ★
    続きを読む 一部表示
    19 分