• Branka Bogdan, "The New Yugoslav Woman: Reproductive Regulation in Socialist Yugoslavia" (Indiana UP, 2025)
    2025/09/30
    From 1945 to 1989, the Yugoslav state connected its claims of progressive politics and gender equality to its support of free healthcare, sex education and contraception, and laws that supported reproductive choice. Yugoslav men and women internalized these messages, proclaiming their homeland's superior care for its citizens in comparison to postwar Europe and the United States. Even as Yugoslav women faced stigma and abuse for their usage of contraceptives and medical practitioners grappled with new regulations and technology alongside personal ideologies, Yugoslavs celebrated their own reformation into "new" politically minded citizens who carefully navigated tradition and modernity as they reconstructed the nation. The New Yugoslav Woman: Reproductive Regulation in Socialist Yugoslavia (Indiana UP, 2025) provides a social and cultural history of how Yugoslav communists used reproductive regulation to build a platform of socialism through self-management and to position the country as a conduit between the global North and South. Author Branka Bogdan traces reproduction as a central facet of socialist Yugoslavia's state formation through the nation's laws, medical infrastructure, technological growth, and state-run sex education programs. Bringing this history to the present day with a discussion of more than two dozen interviews with Yugoslav patients and medical professionals, Bogdan reveals how these recollections show key continuities with the past rather than an abrupt break between the socialist and post-socialist worlds. Drawing Yugoslavian women's experiences into the geopolitical history of reproduction and the Cold War–era state, The New Yugoslav Woman reveals the centrality of reproduction, contraception, and abortion to socialist Yugoslavia's self-conception as the developed leader of the developing world. Guest: Branka Bogdan (she/her), is an Early Career Researcher based in Auckland, New Zealand. She specializes in social and cultural histories of gender, medicine and science, across the New Zealand, European, and US contexts. She brings expertise in oral history interviewing and analysis to her multiple solo and collaborative projects. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke here Linktree here
    続きを読む 一部表示
    51 分
  • Árni Heimir Ingólfsson, "Jón Leifs and the Musical Invention of Iceland" (Indiana UP, 2019)
    2025/09/27
    In Jón Leifs and the Musical Invention of Iceland (Indiana University Press, 2019), Árni Heimir Ingólfsson provides a striking account of the dramatic career of Iceland's iconic composer. Leifs (1899–1968) was the first Icelander to devote himself fully to composition at a time when a local music scene was only beginning to take form. He was a fervent nationalist in his art, fashioning an idiosyncratic and uncompromising 'Icelandic' sound from traditions of vernacular music with the aim to legitimize Iceland as an independent, culturally empowered nation. In addition to exploring Leifs's career, Ingólfsson provides detailed descriptions of Leifs's major works and their cultural contexts. Leifs's music was inspired by the Icelandic landscape and includes auditory depictions of volcanos, geysers, and waterfalls. The raw quality of his orchestral music is frequently enhanced by an expansive percussion section, including anvils, stones, sirens, bells, ships' chains, shotguns, and cannons. Largely neglected in his own lifetime, Leifs's music has been rediscovered in recent years and hailed as a singular and deeply original contribution to twentieth-century music. Jón Leifs and the Musical Invention of Iceland enriches our understanding and appreciation of Leifs and his music by exploring the political, literary and environmental contexts that influenced his work.
    続きを読む 一部表示
    1 時間 8 分
  • Barbara Vinick and Shulamit Reinharz, "100 Jewish Brides: Stories from Around the World" (Indiana UP, 2024)
    2025/08/20
    100 Jewish Brides: Stories from Around the World (Indiana UP, 2024), is the result of a collaboration between two sociologists, Professor Shulamit Reinharz and Dr. Barbara Vinick. Both come from backgrounds deeply intertwined with Jewish history and feminism. Prof. Reinharz, the daughter of Holocaust survivors, became a rabbi's daughter after her father settled in the US. Her work often explores topics of Jewish tradition and women's roles. Dr. Vinick, also a sociologist, initially focused on gerontology but later collaborated with Reinharz on projects exploring Jewish women's experiences worldwide, she hopes this this book can be a respite from the troubles of the world. The book aims to reveal the diversity and depth of traditional and emerging Jewish communities globally, that many readers might not have considered. The editors collected stories from 83 countries on six continents. Each story is either written as a mini-biography or memoir, sometimes by the brides themselves. They made a conscious effort not to reject any stories, regardless of whether they depicted positive or negative experiences. The collection thus includes stories touching on forced marriages, abusive relationships, divorces, and difficult situations. The book is structured to highlight memorable and unique aspects of weddings, such as courtship traditions, betrothal ceremonies, conversions, and customs during wartime. There is a special focus on diversity, including emerging Jewish communities across Africa and Latin America. Among the highlighted stories is a mail-order bride in Mexico who, upon arrival, refused to return home despite not matching her suitor's expectations, eventually resulting in decades of marriage—a testament to the unpredictability and resilience found in these stories. Daisy Aboudi's family in Sudan, a now-extinct Jewish community which found marital partners across the Egyptian border, reveals how Jewish life adapts and persists. The anthology covers weddings within various strands of Judaism, including a Chabad wedding in Thailand. The betrothal chapter explores customs whose significance has changed over time, including elaborate engagement ceremonies in places like Burma, Nicaragua, and India, where traditions include henna, turmeric, prayers, and communal exchanges. Ariela Tischler’s story from Switzerland serves as a link between family heritage and Jewish law. Descended from Rabbi Moshe Isserlis, who decreed it permissible to marry on Lag BaOmer, Ariela and her husband wed on that day, echoing the family tradition established by her grandparents. Personal favorites among the editors’ stories include Dr. Vinick's account of attending a group wedding in Madagascar following the conversion of local community members, demonstrating the intersection of ritual, adaptation, and communal joy. Professor Reinharz selected a contemporary Israeli bride, Yael Yechieli, whose feminist and renewal-minded approach prompted her to design a wedding ceremony more aligned with her beliefs and those of her secular partner, rather than conform to the Orthodox rabbinate's expectations. They hope to honor both those who have sustained Judaism in isolated regions and those rebuilding it anew, while also foregrounding Jewish women's voices and experiences. Ultimately, the project is a celebration of Jewish diversity, women's voices, continuity, and ongoing change.
    続きを読む 一部表示
    1 時間 5 分
  • Alex J. Kay and David Stahel, "Mass Violence in Nazi-Occupied Europe" (Indiana UP, 2018)
    2025/07/20
    Alex J. Kay (senior lecture of History at Potsdam University in Berlin) and David Stahel (senior lecturer in History at the University of New South Wales in Canberra) have edited a groundbreaking series of articles on German mass killing and violence during World War II. Four years in the making, this collection of articles spans the breadth of research on these topics and includes some non-English speaking scholars for the first time in a work of this magnitude. Mass Violence in Nazi-Occupied Europe (Indiana UP, 2018) argues for a more comprehensive understanding of what constitutes Nazi violence and who was affected by this violence. The works gathered consider sexual violence, food depravation, and forced labor as aspects of Nazi aggression. Contributors focus in particular on the Holocaust, the persecution of the Sinti and Roma, the eradication of "useless eaters" (psychiatric patients and Soviet prisoners of war), and the crimes of the Wehrmacht. The collection concludes with a consideration of memorialization and a comparison of Soviet and Nazi mass crimes. While it has been over 70 years since the fall of the Nazi regime, the full extent of the ways violence was used against prisoners of war and civilians is only now coming to be fully understood. Mass Violence in Nazi-Occupied Europe provides new insight into the scale of the violence suffered and brings fresh urgency to the need for a deeper understanding of this horrific moment in history.
    続きを読む 一部表示
    42 分
  • Lanlan Kuang, "Staging Tianxia: Dunhuang Expressive Arts and China's New Cosmopolitan Heritage" (Indiana UP, 2024)
    2025/07/15
    How can art shape historical memory and national identity? And how can cultural heritage and historical references be used to enact a vision of a nation? In Staging Tianxia: Dunhuang Expressive Arts and China’s New Cosmopolitan Heritage (Indiana University Press, 2024), Lanlan Kuang explores these questions through the lens of Dunhuang expressive arts — a twentieth-century music and dance performance style inspired by the images, music descriptions, and narratives found in the Dunhuang Mogao Grottoes. Through these performances, Dunhuang expressive arts presents a vision of China as a historically multiethnic and cosmopolitan nation. Staging Tianxia is an ambitious and interdisciplinary book, weaving together ethnography, ethnomusicology, performance studies, history, and philosophy. It is also rich with episodes from Kuang’s own fieldwork in Dunhuang and rehearsal studios, and through such moments Kuang offers intriguing insights on the way that heritage is constructed and embodied. The book will be of interest to scholars and students of ethnomusicology, performance studies, Chinese classical dance, and Dunhuang studies. Listeners (and readers!) should also check out the multimedia components of the book on Kuang’s website, here.
    続きを読む 一部表示
    56 分
  • Emmanuel Akyeampong, "Independent Africa: The First Generation of Nation Builders" (Indiana UP, 2023)
    2025/06/19
    Independent Africa: The First Generation of Nation Builders (Indiana UP, 2023)explores Africa's political economy in the first two full decades of independence through the joint projects of nation-building, economic development, and international relations. Drawing on the political careers of four heads of states: Kwame Nkrumah of Ghana, Ahmed Sékou Touré of Guinea, Léopold Sédar Senghor, and Julius Kambarage Nyerere of Tanzania, Independent Africa engages four major themes: what does it mean to construct an African nation-state and what should an African nation-state look like; how does one grow a tropical economy emerging from European colonialism; how to explore an indigenous model of economic development, a "third way," in the context of a Cold War that had divided the world into two camps; and how to leverage internal resources and external opportunities to diversify agricultural economies and industrialize. Combining aspects of history, economics, and political science, Independent Africa examines the important connections between the first generation of African leaders and the shared ideas that informed their endeavors at nation-building and worldmaking. Professor Akyeampong is the former Oppenheimer Faculty Director of the Harvard University Center for African Studies and the Ellen Gurney Professor of History and of African and African American Studies at Harvard University. He joined the History faculty at Harvard upon receiving his Ph.D. in African History from the University of Virginia in 1993. He received his master's degree at Wake Forest University in North Carolina in 1989, where he concentrated on English labor history, and his bachelor's degree in History and Religions from the University of Ghana at Legon in 1984. Professor Akyeampong is currently the Ellen Gurney Professor of Professor Akyeampong's publications include Themes in West Africa's History (2005), which he edited; Independent Africa: The First Generation of Nation Builders (2023); Between the Sea and the Lagoon: An Eco-Social History of the Anlo of Southeastern Ghana, 1850 to Recent Times (2001); and Drink, Power and Cultural Change: A Social History of Alcohol in Ghana, c. 1800 to Present Times (1996). He was a co-chief editor with Henry Louis Gates, Jr., for the Dictionary of African Biography, 6 Vols. (2012). Professor Akyeampong has been awarded several research fellowships, and from 1993 to 1994, he was the Zora Neale Hurston Fellow at the Institute for Advanced Study and Research in the African Humanities at Northwestern University. He was named a Corresponding Fellow of the Royal Historical Society in 2002, and was nominated to be a Fellow of the Ghana Academy of Arts and Sciences. In 2018 he was awarded an honorary Doctor of Laws by the University of Ghana. At Harvard, Professor Akyeampong is a faculty associate for the Weatherhead Center for International Affairs and a member of the executive committee of the Hutchins Center. As a former chair of the Committee on African Studies, he has been instrumental, along with Professor Gates, in creating the Department of African and African American Studies and formerly served as the Oppenheimer Faculty Director of the Center for African Studies. You can learn more about Professor Akyeampong’s work here Afua Baafi Quarshie is a Ph.D. candidate in history at the Johns Hopkins University. Her research focuses on mothering and childhood in post-independence Ghana.
    続きを読む 一部表示
    1 時間 21 分
  • Kirsten L. Scheid, "Fantasmic Objects: Art and Sociality from Lebanon, 1920–1950" (Indiana UP, 2022)
    2025/03/09
    In Fantasmic Objects: Art and Sociality from Lebanon, 1920–1950 (Indiana UP, 2022), Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing on the careers of Moustapha Farrouk and Omar Onsi, forefathers of an iconic national repertoire, and their rebellious student Saloua Raouda Choucair, founder of an antirepresentational, participatory art, Scheid traces an emerging sense of what it means to be Lebanese through the evolution of new exhibition, pedagogical, and art-writing practices. She reveals that art and artists helped found the nation during French occupation, as the formal qualities and international exhibitions of nudes and landscapes in the 1930s crystallized notions of modern masculinity, patriotic femininity, non-sectarian religiosity, and citizenship. Examining the efforts of painters, sculptors, and activists in Lebanon who fiercely upheld aesthetic development and battled for new forms of political being, Fantasmic Objects offers an insightful approach to the history and formation of modern Lebanon. Yasemin Ipek is an anthropologist, teacher, researcher, and author who is passionate about pursuing peace, love, truth, and justice.
    続きを読む 一部表示
    1 時間 29 分
  • Lily E. Hirsch, "Taking Funny Music Seriously" (Indiana UP, 2024)
    2025/01/17
    Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting. Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. Taking Funny Music Seriously (Indiana UP, 2024) includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, Taking Funny Music Seriously examines comedy from a variety of genres and musical contexts--from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death. In its coverage of comedic musical media, Taking Funny Music Seriously is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke--especially in times of crisis--including comfort, catharsis, and connection. Lily E. Hirsch is a musicologist and author most recently of Can't Stop the Grrrls: Confronting Sexist Labels in Music from Ariana Grande to Yoko Ono; Weird Al: Seriously; and Insulting Music: A Lexicon of Insult in Music. Lily on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter and Bluesky.
    続きを読む 一部表示
    58 分