In the second episode of our 'Language' trilogy, we discussed Bruno Zevi's 'The Modern Language of Architecture', first published in Italian as 'Il linguaggio moderno dell'architettura' in 1978, partly in response to Summerson's 'The Classical Language of Architecture' the subject of our previous episode.

Zevi is a fascinating figure in 20th century Italian culture and politics. From a Roman Italian-Jewish family, he studied under Walter Gropius at Havard during the 30s and 40s due to Mussolini's anti-semitic fascist regime. He returned after the war and became a professor in Venice and Rome, a fervent advocate of a particular form of humanist modernism against rectilinear standardisation, symmetry and a classicising return to the past, which he viewed as a symptom of fascist continuity in Italian society. In later years he served as a politician in various heterodox leftist parties.

In the final episode of this trilogy, out soon, we will discuss 'The Language of Post-Modern Architecture' by Charles Jencks.

To follow along with the images of this episode, you can watch it on our YouTube channel: https://youtu.be/HY3yZs9KbQ8

Edited by Matthew Lloyd Roberts.

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In this episode, the first of a trilogy, we talked about John Summerson's best-selling 1965 book 'The Classical Language of Architecture', developed out of a series of lectures he gave to the BBC. We talk about Summerson, one of the titans of mid-20th century British architectural history, his attitude towards classicism and his patrician tone. In the next two episodes we will be discussing Bruno Zevi's 'The Modern Language of Architecture' (1978) and Charles Jencks's 'The Language of Post-Modern Architecture' (1977), which were both partly inspired by Summerson's rhetorical assertion of the linguistic character of classical architecture.

Follow along with the images by watching this episode on YouTube: https://youtu.be/3JYroYY_wek

Edited by Matthew Lloyd Roberts.

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This is a preview of a Patreon bonus episode. To listen to the rest, consider supporting the show on Patreon: https://www.patreon.com/c/about_buildings

In this penultimate bonus episode in our Piranesi series we talked about Piranesian vibes in literary and artistic culture, including forays into the work of Thomas De Quincey, Gustave Doré, Jorge Luis Borges, the graphic novels of François Schuiten and Benoît Peeters and the recent 'Backrooms' movie.

Edited by Matthew Lloyd Roberts.

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In the final part of our Piranesi miniseries we talked about his only building, the church of Santa Maria del Priorato, his theoretical writings, his proposals for interior design and furniture and his Carceri, the imaginary prisons which defined his legacy.

If you'd like to follow along with the images of this episode, try watching it on Youtube: https://youtu.be/Rd2nwMAAx2E

Edited by Matthew Lloyd Roberts.

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In the penultimate episode of our series on Giovanni Battista Piranesi, we discussed his Ichnographia Campii Martii, one of his stranged and most inventive projects, a vast reconstruction of Ancient Rome, which blends together a little bit of archaeology with a massive injection of fantasy, plastering much of the open countryside around the city with endless, fractal Beaux Arts geometries.

At around 30 minutes George can't remember the name of a large multi-vaulted commercial/light industrial antique building, it is in fact the Porticus Aemilia: https://en.wikipedia.org/wiki/Porticus_Aemilia

Follow along with the images by watching this episode on YouTube: https://youtu.be/zqTH3-GPyzQ

Edited by Matthew Lloyd Roberts.

Mixing by Lewis Todd.

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In the second episode of our series on Giovanni Battista Piranesi, we discussed his multi-volume project, Le Antichità Romane de' tempo della prima Repubblica e dei primi imperatori, a deep study and representation of Roman Antiquity, channelled through his vivid imagination, mixing rigorous archaeological measurement and close attention to constructional details with romantic and fantastical visions of the ancient world.

To follow along with the images, check out this episode on YouTube: https://youtu.be/o9FUgUOgYy0

Edited by Matthew Lloyd Roberts.

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In the first part of our new series on Piranesi we discussed his upbringing and background in Venice, his earliest travels to Rome and first work with Giuseppe Vasi and Tiepolo. We talked a little about the historical and cultural context of Piranesi’s work, before getting stuck into his Prima parte di Architettura e Prospettive (1743) and Varie Vedute di Roma Antica e Moderna (1745), and start to map out the rest of his oeuvre that will form the rest of the series.

This is the first episode of a four part series about Piranesi, and there will be bonus episodes forthcoming on Patreon about his legacy and works of art and literature inspired by it.

You can watch this episode on YouTube to follow along with the images: https://youtu.be/QUY4Yw2kxmk

Edited by Matthew Lloyd Roberts. Mixing by Lewis Todd.

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To get full access to this episode, please consider supporting us on Patreon:https://www.patreon.com/about_buildings

Taking cues from the 'Show and Tell' main episode, Editor Matt joined us for a bonus and brought along a couple of interesting buildings to discuss. The first, Santa Maria del Naranco, in Asturia Northern Spain, was built as a summer palace for King Ramiros I in 842 CE. It is a surprising building in many ways, precociously Romanesque and highly resolved by 9th-century standards, its proportional logics give the building a profound presence, especially its end facades. We then discussed the sprawling, accretive mass of Frank Lloyd Wright's House and Studio in Oak Park, Chicago. This was his home and place of business from the late-1880s until the mid-1900s, and it grew substantially from modest gable-ended suburban cottage to hulking compound as his family and business grew. We also discussed the surrounding neighbourhood of Oak Park, which contains many idiosyncratic domestic designs from the pen of this erratic giant of American architecture.

Edited by Matthew Lloyd Roberts.

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