A Bird Watcher Sees What Experts Missed: The Pellard Forgery
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A Bird Watcher Sees What Experts Missed: The Pellard Forgery
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概要
A small, specific detail-a brass nail and a heron's neck-unraveled nine years of assumed certainty in the Pellard Collection; a biology teacher's decade of birdwatching, a missing pattern of vertical craquelure, and a painting appraised at $410,000 all collide into a single unanswered question: how did an irreversible aging pattern disappear without moving the canvas? What does that vanishing line tell us about what else in the collection might not be what it seems?
In this episode, we follow the sequence of observations and records that drew a provenance investigator into a quiet gallery discrepancy. You’ll hear how an offhand report by a visitor, a conservator’s records, and a photo mismatch led to the question at the center of the case: was the painting altered or replaced, and if so, by whom?
Person: Cynthia Whitaker
Person: Sarah Hoffman
Person: Person: Tom Garfield
Date: Painting finished in 1891
Value: Appraised at $410,000
- The painting Estuary, Late Afternoon is 31 inches tall and 44 inches wide.
- George Aldrich finished the painting in 1891.
- The nail in the east gallery was brass and original to a 1987 renovation.
- The painting had hung on the same nail for nine years without moving.
- The insurance appraisal in 2012 valued the painting at $410,000.
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