Wes Craven's Last House on the Left

This week we begin an examination of Violence in Cinema, but primarily Violence Directed Against Women in Cinema, beginning with a look at West Craven's 1972 Grindhouse "Classic" Last House on the Left. An infamous and controversial cult film, Craven's re-imagining and updating of Ingmar Bergman's 1960 Swedish Classic, The Virgin Spring, is not an easy viewing. A low-budget, dirty, ugly, and disturbing film, Craven's effort is definitely amateurish, however there is (as far as I am concerned) the hint of a filmmaker with a developing style and need to challenge his artistic sensibility. A decade before A Nightmare on Elm Street and the creation of Freddy Krueger, Craven would take a rape and revenge fantasy and use it as a calling card to enter the World of Cinematic Horror. We discuss the film, but more importantly we discuss the style, violence, and themes that have always existed, but have been given life and power through this film. Take a listen and let us know what you think. As always we can be reached at gondoramos@yahoo.com -Our Continued Love and Thanks.

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