『Woman at the Window』のカバーアート

Woman at the Window

プレビューの再生

聴き放題対象外タイトルです。Audibleプレミアムプラン登録で、非会員価格の30%OFFで購入できます。

¥2,240で会員登録とタイトル購入をする
オーディオブック・ポッドキャスト・オリジナル作品など数十万以上の対象作品が聴き放題。
オーディオブックをお得な会員価格で購入できます。
30日間の無料体験後は月額¥1500で自動更新します。いつでも退会できます。

Woman at the Window

著者: Shoma Chatterji
ナレーター: Pooja S Ruparel
¥2,240で会員登録とタイトル購入をする

30日間の無料体験後は月額¥1500で自動更新します。いつでも退会できます。

¥3,200 で購入

¥3,200 で購入

Representations of women in Indian cinema are often warped and twisted. They are subjected to a series of gazes – voyeuristic, investigative and titillating. The controlling look is always with the male. One film-maker who consistently steered clear of this right through his career was Satyajit Ray. None of Ray’s women on celluloid can be reduced to a cliche. They defy every imaginable stereotyping. This is particularly true of the women in his adaptations of Tagore’s stories. Woman at the Window attempts a completely new way of looking at Ray’s films in general, and his films adapted from Tagore in particular, through contextualizing the women by objects they are surrounded by or are fond of, or are habituated to using or learning to use over time. What emerges is a one-of-its-kind book, indeed the first comprehensive study of this kind on the cinema of Ray which offers a greater understanding of the differences, or the absence thereof, between Tagore’s original stories and Ray’s celluloid readings of these stories, as also fascinating material for gender studies students, researchers, academics and scholars writing on cinema. ©HarperCollins India 2018 エンターテインメント・舞台芸術 映画・テレビ
adbl_web_anon_alc_button_suppression_t1
まだレビューはありません