Public radio darling Sarah Vowell has written five nonfiction books over the past decade or so, and this latest installment in her personalized People’s History-type study of America’s lesser known political foibles is as charming as the previous four books. Undertaking a study of precisely how Hawaii came to be annexed by the United States in 1898, Vowell draws on a wealth of archival research and oral tradition to craft a comprehensive view of the state’s less than democratic incorporation into our union.

The bulk of the book is narrated by Vowell herself. Don’t be fooled by the plethora of well-known wise-crackers also listed as narrators. These other voices are enlisted only for help with quotations. They contribute one or two sentences per chapter, representing historical documents written by a variety of likely and unlikely suspects, from Ernest Hemingway to Grover Cleveland. The big winner here is Maya Rudolph, whose turn as the deposed Queen Lili’uokalani is completely enchanting. Her bits really stand out as a portrait conveying the majesty and optimistic strength of a monarch in decline. Otherwise, all these imminently recognizable voices conjured up to assist Vowell interrupt the flow of text just long enough for a listener to think, “Hey, that’s Bill Hader!” Then the quotation is over and it’s back to the voice of Vowell.

Oh, what a voice it is. Depending on who you ask, Sarah Vowell’s is the voice that either launched a thousand ships, or sank them. A native of Oklahoma with an extremely nasal voice and a soft lisp on her sibilants, Vowell is most definitely an acquired taste, but absolutely beloved by those who have acquired such a taste. She has been in the audio business in some form or another for quite a long while, and is a genuine expert in matters of the well-timed punch-line and the mysterious art of engrossing story-telling. Vowell is such a fountain of dry wit that it’s tempting to call her a savant. As she maps this singular strand of the American imperial impulse, listeners will be relieved to find that the violent politics of Manifest Destiny are tempered with the grain of salt that is Vowell’s limitless power of comedic contextualization.

Devotees of Vowell can expect that this listen is up to the standard of all her others. Those who have never heard Vowell before will find that Unfamiliar Fishes is as good a place to start as any other. This book does an excellent job of filling in a void glossed over by mainstream accounts of American territorial acquisition. From her explanation of how Hawaii developed a written language to her hilarious description of the self-aggrandizing missionary who undertook to establish Mormonism on the islands, Sarah Vowell once again delivers a uniquely fresh and deeply interesting perspective detailing the highly specific ways in which the history of the United States is in fact not very united. —Megan Volpert