The War for Late Night
When Leno Went Early and Television Went Crazy
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The War for Late Night
ナレーター：
Sean Kenin
￥3,630 で購入
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ナレーター：
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Sean Kenin
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著者：
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Bill Carter
When NBC decided to move Jay Leno into prime time to make room for Conan O'Brien to host the Tonight show-a job he had been promised five years earlier-skeptics anticipated a train wreck for the ages. It took, in fact, only a few months for the dire predictions to come true. Leno's show, panned by critics, dragged down the ratings-and the profits-of NBC's affiliates, while ratings for Conan's new Tonight show plummeted to the lowest levels in history. Conan's collapse, meanwhile, opened an unexpected door of opportunity for rival David Letterman. What followed was a boisterous, angry, frequently hilarious public battle that had millions of astonished viewers glued to their sets. In The War for Late Night, New York Times reporter Bill Carter offers a detailed behind-the-scenes account of the events of the unforgettable 2009/2010 late-night season as all of its players- performers, producers, agents, and network executives-maneuvered to find footing amid the shifting tectonic plates of television culture.
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批評家のレビュー
Praise for The War for Late Night
“Hugely entertaining...A suspenseful piece of business journalism.”—The New Yorker
“As thorough and detailed a story as he tells, Mr. Carter entertains us every step of the way, peppering the page with more rich comedic details than your average late-night monologue.”—The New York Times
“Makes last year’s battle royale seem far more interesting than the programs themselves.”—The Daily Beast
“A boisterous, two-timing, high-stakes drama about the business of comedy at a sinking TV network.”—Associated Press
“Hugely entertaining...A suspenseful piece of business journalism.”—The New Yorker
“As thorough and detailed a story as he tells, Mr. Carter entertains us every step of the way, peppering the page with more rich comedic details than your average late-night monologue.”—The New York Times
“Makes last year’s battle royale seem far more interesting than the programs themselves.”—The Daily Beast
“A boisterous, two-timing, high-stakes drama about the business of comedy at a sinking TV network.”—Associated Press
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