『The Sunday Sessions』のカバーアート

The Sunday Sessions

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期間限定:2026年10月19日(日本時間)に終了
2026年10月19日まで対象者限定でプレミアムプランが4か月 月額99円キャンペーン開催中。詳細はこちら。
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オーディオブック・ポッドキャスト・オリジナル作品など数十万以上の対象作品が聴き放題。
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The Sunday Sessions

著者: Philip Larkin
ナレーター: Philip Larkin
¥434で会員登録とタイトル購入をする ¥434で会員登録とタイトル購入をする

30日間の無料体験後は月額¥1500で自動更新します。いつでも退会できます。

30日間の無料体験後は月額¥1500で自動更新します。いつでも退会できます。

¥620 で購入

¥620 で購入

【Amazonプライム会員限定】今ならプレミアムプランが4か月 月額99円。

10月19日まで。※適用条件あり

The Sunday Sessions consists of twenty-six poems, the contents of two tapes recorded by Philip Larkin in Hull in February 1980 - reportedly, each on a Sunday, after lunch with John Weeks, a sound engineer and colleague of the poet. The tapes, which contain work from Larkin's first major collection, The North Ship, as well as poems from his best-known collections, The Whitsun Weddings and High Windows, remained 'lost' for over two decades, lying on a shelf in the garage in which they were recorded. Since their rediscovery they have been the subject of widespread media attention, including a BBC Radio 4 Archive Hour documentary. Their contents are here published in full for the first time.

©1945 Philip Larkin (P)2009 Faber & Faber
文学史・文学批評
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批評家のレビュー

"[Larkin] is a fine, illuminating reader, springing the surprise of little surges of lyricism amid the colloquial observations of provincial life." (Carole Mansur, Daily Telegraph)

"They are relaxed readings, a self-selected 'retrospective' in which one senses that Larkin has chosen poems of which he is particularly fond. He sounds less self-conscious than in more official recordings, perhaps lubricated by a good lunch, perhaps happy not to have an audience, with all its coughs and chair-scrapes and visual distractions. He includes the singingly Yeatsian Within the dream you said from his first collection The North Ship, published when he was only 23, and before he discovered the dryly sardonic voice of Mr Bleaney and Vers de Societe. But he ends with a return to romance: the magnificent 'An Arundel Tomb' - 'What will survive of us is love'." (The Times)

まだレビューはありません