『The Making of Zombie Wars』のカバーアート

The Making of Zombie Wars

A Novel

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期間限定:2025年12月1日(日本時間)に終了
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The Making of Zombie Wars

著者: Aleksandar Hemon
ナレーター: Chris Patton
¥1,779で会員登録し購入 ¥1,680で会員登録し購入

期間限定:2025年12月1日(日本時間)に終了

30日間の無料体験後は月額¥1500で自動更新します。いつでも退会できます。

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このコンテンツについて

The seriously, seriously funny roller-coaster ride of sex and violence that Aleksandar Hemon has long promised

Script idea #142: Aliens undercover as cabbies abduct the fiancée of the main character, who has to find a way to a remote planet to save her. Title: Love Trek.

Script idea #185: Teenager discovers his girlfriend's beloved grandfather was a guard in a Nazi death camp. The boy's grandparents are survivors, but he's tantalizingly close to achieving deflowerment, so when a Nazi hunter arrives in town in pursuit of Grandpa, he has to distract him long enough to get laid. A riotous Holocaust comedy. Title:
The Righteous Love.

Script idea #196: Rock star high out of his mind freaks out during a show, runs offstage, and is lost in streets crowded with his hallucinations. The teenage fan who finds him keeps the rock star for himself for the night. Mishaps and adventures follow. This one could be a musical:
Singin' in the Brain.

Josh Levin is an aspiring screenwriter teaching ESL classes in Chicago. His laptop is full of ideas, but the only one to really take root is Zombie Wars. When Josh comes home to discover his landlord, an unhinged army vet, rifling through his dirty laundry, he decides to move in with his girlfriend, Kimmy. It's domestic bliss for a moment, but Josh becomes entangled with a student, a Bosnian woman named Ana, whose husband is jealous and violent. Disaster ensues, and as Josh's choices move from silly to profoundly absurd, The Making of Zombie Wars takes on real consequence.

SF ユーモア・風刺文学・フィクション 世界文学 世界滅亡後 大衆小説 文芸小説

批評家のレビュー

<p>“An extraordinary story.” —<i>The New Yorker on The Book of My Lives</i><br><br>“At once unimaginable and unforgettable.” —<i>Time on The Book of My Lives</i><br><br>“Acute meditations on exile and otherness, and the redeeming power of language.” —<i>The Economist on The Book of My Lives</i><br><br>“As crowded as the pool of contemporary writers wrestling with the American experience has become . . . no discussion is complete without Aleksandar Hemon.” —<i>Chicago Tribune on The Book of My Lives</i></p>
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