『The Leap』のカバーアート

The Leap

プレビューの再生
¥2,080 で会員登録とタイトル購入をする ¥1,981で会員登録とタイトル購入をする
期間限定:2026年10月19日(日本時間)に終了
2026年10月19日まで対象者限定でプレミアムプランが4か月 月額99円キャンペーン開催中。詳細はこちら
オーディオブック・ポッドキャスト・オリジナル作品など数十万以上の対象作品が聴き放題。
オーディオブックをお得な会員価格で購入できます。
会員登録は5か月目以降は月額¥1,500で自動更新します。いつでも退会できます。
オーディオブック・ポッドキャスト・オリジナル作品など数十万以上の対象作品が聴き放題。
オーディオブックをお得な会員価格で購入できます。
30日間の無料体験後は月額¥1500で自動更新します。いつでも退会できます。

The Leap

著者: Paul Daley
ナレーター: Zoy Frangos
¥1,981で会員登録とタイトル購入をする ¥1,981で会員登録とタイトル購入をする

30日間の無料体験後は月額¥1500で自動更新します。いつでも退会できます。

30日間の無料体験後は月額¥1500で自動更新します。いつでも退会できます。

¥2,830 で購入

¥2,830 で購入

【Amazonプライム会員限定】今ならプレミアムプランが4か月 月額99円。

10月19日まで。※適用条件あり
A white-knuckle ride into a nightmarish outback setting, where a man searching for mercy encounters a town baying for violent vengeance. A pulse-pounding literary thriller with a stunning final twist.

`Think three-fifths of the way to fuck-all-nowhere-ville. Pioneering grazing family. Once hallowed farming country gone to shit. Rabbit plagues and feral pigs. Never-ending drought. Full of Flat Earth Party-voting, climate-change-denying, God-bothering, gun-nut, ground-zero, wife-beating, racist, fundamentalist f*ckers. Pardon my French. Apart from that it’s just a great place.’

Welcome to The Leap, an outback town fuelled by fear, churning with corruption, prejudice and misogyny – and blighted by its inescapable history of frontier violence. Into this nightmarish morass falters traumatised British diplomat, Benedict Fotheringham-Gaskill. He’s on his first Australian mission, one seemingly straightforward enough – until he arrives in The Leap to battle a town conspiring against him.

The Leap is baying for vengeance over the alleged murder of the celebrated daughter of a powerful local grazier. But Benedict is on an impossible quest for the opposite: mercy for the young woman’s two accused female killers. The townspeople will challenge and threaten him at every turn as he fights for justice, his future, his sanity – and ultimately his life.

From the acclaimed author of Jesustown comes a pulse-pounding throat-punch of a literary thriller, filled with humour, horror, blistering historical truths, indelible characters and a final twist that will take your breath away.
サスペンス スリラー・サスペンス 大衆小説 犯罪ドキュメンタリー 田舎町・農村
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批評家のレビュー

‘Propulsive, confronting, compelling. A masterpiece.’ (Chris Hammer, author of The Valley)
'The Leap is a modern Wake in Fright. Confronting, tragic, brutal, compassionate and funny. A brilliant examination of the prejudice and violence that lies at the heart of this country. A novel that speaks truth about crimes past and present.' (Michael Brissenden, author of Smoke)
‘This novel is an explosion of truth-telling about Australia’s bloody past, taking us on a tumultuous outback crime adventure, sometimes hilarious and often outrageous.’ (Julie Janson, author of Benevolence)
‘Paul Daley's vivid rendering of an outback town ruled by fear, alcohol and barely suppressed violence, damned by a malevolent and unspoken past, is unforgettable. It will disturb your nights.’ (Tony Wright, journalist)
‘Paul Daley shatters the great Australian silence with a penetrating story that reveals the truth and trauma of Country. From his elegant and excavating pen comes another important and revelatory work.’ (Nick Bryant, journalist and author of The Forever War)
A Wake in Fright for the 21st century. Savage, hilarious and ultimately profound, The Leap hurtles into Australia’s heart of darkness with exhilarating results.’ (James Bradley, author of Landfall)
‘Unflinching, razor-edged and raw. Another tour de force by Paul Daley.’ (Joanna Jenkins, author of The Bluff)
‘Paul Daley continues his ongoing examination of the frontier's lasting effects, repainting Wake in Fright's Bundanyabba hellmouth with a twenty-first century understanding of dispossession and racial division. Here are the drinking culture, the unconcealed bloodlust and the deluded squattocracy, all seen through the baffled eyes of a post-empire Briton. Only a writer of Daley's quality could bring empathy and nuance to the canon of Australian bush noir.’ (Jock Serong, author of Cherrywood)
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