Thea Knight loves a spot of mischief. She especially loves her current mischief: masquerading as her sister, while finalizing her scheme to expose the dastardly knaves whose lies ruined her life. Then big, bad-tempered Lord Luxborough upends her game by maneuvering her into marriage. But it's her sister’s name on the license, so the marriage won’t be valid. Thea’s idea? Keep pretending to be her sister until she can run away.

Emery Jenson came to Wildwood ten years ago with her parents, hired to be the estate's steward and housekeeper. She has taken on more responsibility as her father's mind grows weak and now runs the ducal country seat. When the new duke shows up, she schemes to hide her father's deficiencies, believing the Duke of Winslow won't remain long.

When a beautiful stranger ducks into his bookshop during a rainstorm, Cale Cameron, well-known rake, is instantly attracted to her. Elizabeth, Lady Thornhill, is restless and hungers for something she cannot name. Society would never accept a countess and a mere bookseller, so they agree to a one week affair to indulge their desire. As their passion ignites and their connection grows, Elizabeth threatens the one thing Cale has protected above all else—his heart.

Lady Ludmilla Windmere is mortified. The spinster extraordinaire has fallen in love with her best friend, and that cannot be. The problem? She hasn't met him. Not once. For they have only ever corresponded by letter. When she sets out to uncover his identity, her world shatters. For Addy turns out to be none other but London's worst rake. Adrian St. Addington is perturbed. The rakehell extraordinaire is developing a marked tendre for a spinster, and that cannot be. The problem? She might be mistaking him for someone he is not. Or, what is worse, know precisely who he is.

When Clara Mayfield helps her sister elope, she's prepared for the scandal to seal her fate as a spinster. What she doesn't expect is to find herself engaged to the vile Baron Rutherford as a means of salvaging her family's reputation. Determined not to be chained to a man she loathes, Clara slips out of Essex and sheds her identity: She becomes Helen, maid at the Earl of Ashworth's country estate.

Miss Fiona Hartley’s huge dowry should have ensured that finding a husband would be quick. True, she’s a tad older than the average debutante and spends too much time sketching brutally honest character portraits. She desperately needs a husband, so she can access her dowry, lest the man blackmailing her reveals a secret that would ruin her family. So desperate in fact, that she’s willing to do the unthinkable - propose marriage to the most surly, irritable gentleman in town.

Graham, Lord Blakemore, was believed to be lost at sea as a boy. While his mother, Lady Agatha, has never given up hope of finding her son again, others - eager for the title and the wealth that accompanies it - have been conspiring to have him declared dead against Lady Agatha's wishes. Her only ally in the house is her late husband's ward, Miss Beatrice Marlowe. But when a dark-haired stranger arrives on their doorstep claiming to be the lost heir to Castle Black, the plots and schemes of those who would have the castle for themselves take a dark and even more sinister turn.

Edward Stanhope, the icy Duke of Thornfield, likes his life in a certain order. Give him a strong drink, a good book, and his dog for company, and he’s content. But when he goes to his library and finds a woman sitting in his chair, petting his dog, what starts as a request for her to leave turns quickly to a fiery battle of wits, leading to a steamy kiss that could ruin them both if they’re caught. So, of course, damn it all, that’s when Edward’s aunt walks in and, thereafter, announces Miss Georgiana Bly as the future Duchess of Thornfield.

Trevor Hunt, the Duke of Ridgely, has been called many things, most of which are true. Reviled by his family, hated by many, he's earned his reputation in the seedy streets of London and more than his fair share of bedchambers. But battling deadly foes and irate husbands failed to prepare the duke for the most troublesome role he's played yet: guardian to one maddening hoyden.

Society dictates that a governess should be modest, quiet, and keep to herself. She should never contradict her employer. And, above all, she must not attract the attention of any male in the household. But Michael Severson doesn't see Isabel Halloran as a governess - he sees her as a woman, one whose lush curves cannot be hidden behind a dowdy gown...and whose efforts at hiding her sparkling intelligence are betrayed by her wit.