『The Conjure-Man Dies: A Harlem Mystery』のカバーアート

The Conjure-Man Dies: A Harlem Mystery

The first ever African-American crime novel

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期間限定:2026年10月19日(日本時間)に終了
2026年10月19日まで対象者限定でプレミアムプランが4か月 月額99円キャンペーン開催中。詳細はこちら。
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オーディオブック・ポッドキャスト・オリジナル作品など数十万以上の対象作品が聴き放題。
オーディオブックをお得な会員価格で購入できます。
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The Conjure-Man Dies: A Harlem Mystery

著者: Rudolph Fisher, Stanley Ellin - introduction
ナレーター: JD Jackson, John Chancer
¥1,841で会員登録とタイトル購入をする ¥1,841で会員登録とタイトル購入をする

30日間の無料体験後は月額¥1500で自動更新します。いつでも退会できます。

30日間の無料体験後は月額¥1500で自動更新します。いつでも退会できます。

¥2,630 で購入

¥2,630 で購入

【Amazonプライム会員限定】今ならプレミアムプランが4か月 月額99円。

10月19日まで。※適用条件あり

One of Buzzfeed’s Most Anticipated Books of 2021.
“This trailblazing work of fiction is notable for its depiction of Harlem’s African American society and culture in the 1930s” –Bookpage

When the body of N’Gana Frimbo, the African conjure-man, is discovered in his consultation room, Perry Dart, one of Harlem’s ten Black police detectives, is called in to investigate. Together with Dr Archer, a physician from across the street, Dart is determined to solve the baffling mystery, helped and hindered by Bubber Brown and Jinx Jenkins, local boys keen to clear themselves of suspicion of murder and undertake their own investigations.

The Conjure-Man Dies was the very first detective novel written by an African-American. A distinguished doctor and accomplished musician and dramatist, Rudolph Fisher was one of the principal writers of the Harlem Renaissance, but died in 1934 aged only 37. With a gripping plot and vividly drawn characters, Fisher’s witty novel is a remarkable time capsule of one of the most exciting eras in the history of Black fiction.

This crime classic is introduced by New York crime writer Stanley Ellin, and includes Rudolph Fisher’s last published story, ‘John Archer’s Nose’, in which Perry Dart and Dr Archer return to solve the case of a young man murdered in his own bed.

アフリカ系アメリカ人 オカルト ホラー ミステリー 犯罪ドキュメンタリー 素人探偵 警察
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批評家のレビュー

‘Highly readable, wholly entertaining.’–Stanley Ellin
‘A well-constructed thriller of a little-known side of Harlem life, with a Black detective to solve the crime and with just enough humour on the side.’–Rumana McManis, New York Times
‘A detective story of the first class, written with adroitness, humor, and a clever plot.’–Boston Transcript
‘…a puzzling mystery yarn which is at the same time a lively picture of Harlem…’–New York Times
‘Captures the historically induced unique qualities of Black people.’–Oliver Henry, The Harlem Renaissance
‘As far as crime fiction goes, The Conjure-Man Dies gets down and dirty in a style more in the American hardboiled fashion than the British country house fashion. And it does seem likely that Fisher, besides reading Agatha Christie, read Dashiell Hammett and other early hardboiled writers.’–L.A. Review of Books
‘The reissue of this 1932 novel should help Fisher get the wider acclaim he merits.’ Publishers Weekly
‘The Conjure-Man Dies is now happily welcomed back to its rightful place both in the history of crime fiction and the wider canon of Black literature.’ BookPage
‘Fisher’s work trod themes familiar to his contemporaries while breaking ground not only as the first known crime novel by a Black author, but also as the first to feature exclusively Black characters.’ Motif
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