『THE HOUSE ON SAND: WHY MODERN LIFE FEELS SO FRAGILE』のカバーアート

THE HOUSE ON SAND: WHY MODERN LIFE FEELS SO FRAGILE

 プレビューの再生
プレミアムプランに登録する プレミアムプランを無料で試す
期間限定：2026年10月19日(日本時間)に終了
2026年10月19日まで対象者限定でプレミアムプランが4か月 月額99円キャンペーン開催中。詳細はこちら。
オーディオブック・ポッドキャスト・オリジナル作品など数十万以上の対象作品が聴き放題。
オーディオブックをお得な会員価格で購入できます。
会員登録は5か月目以降は月額¥1,500で自動更新します。いつでも退会できます。
オーディオブック・ポッドキャスト・オリジナル作品など数十万以上の対象作品が聴き放題。
オーディオブックをお得な会員価格で購入できます。
30日間の無料体験後は月額￥1500で自動更新します。いつでも退会できます。

THE HOUSE ON SAND: WHY MODERN LIFE FEELS SO FRAGILE

著者： Anna Kriger
ナレーター： Brenda Walls
プレミアムプランを無料で試す プレミアムプランを無料で試す

30日間の無料体験後は月額￥1500で自動更新します。いつでも退会できます。

30日間の無料体験後は月額￥1500で自動更新します。いつでも退会できます。

￥1,700 で購入

￥1,700 で購入

【Amazonプライム会員限定】今ならプレミアムプランが4か月 月額99円。

10月19日まで。※適用条件あり
We are the best-informed, best-supplied, longest-living human beings who have ever existed, and a startling number of us go through the day with the quiet sense that the floor is not entirely attached to the building. Not fear of anything nameable. Just a low hum underneath an ordinary Tuesday, the feeling of standing on something that is holding for now.This book argues that the feeling is not neurotic, not nostalgic, and not a failure of gratitude. It is an accurate reading of a real change, filed under the wrong heading.Two houses in an old story are hit by the same storm. Nobody gets better weather. The difference between them is invisible in fair conditions and total when the water arrives, and it comes down to something unglamorous: one builder did the work, the other only heard about it. That distinction turns out to describe an astonishing amount of contemporary life. Our savings, our skills, our friendships, our beliefs, our insurance, our institutions, our sense of who would show up for us at two in the morning — a great many of these are held in the declared form rather than the done form. Declared foundations cost nothing to lay, look identical to real ones in good weather, and are missing at exactly the moment weight is applied.Anna Kriger takes the reader through the anatomy of that substitution with wit, unsentimental clarity, and a refusal to sell either panic or reassurance. She examines why knowing about a thing has come to feel like having it, why anxiety often functions as a well-calibrated instrument that we insist on misreading, why disaster is always preceded by the sensation that yesterday everything was fine, and why the deep and unrewarding work of digging down to rock has almost no market value until the one day it has all of it.The storm is not the subject of this book. Storms are permanent, universal, and entirely uninterested in our preferences.©2026 Anna Kriger (P)2026 Anna Kriger
adbl_web_anon_alc_button_suppression_t1
まだレビューはありません