『THE BETTER PART : MARTHA, MARY, AND THE CHOICE OF PRIORITIES』のカバーアート

THE BETTER PART : MARTHA, MARY, AND THE CHOICE OF PRIORITIES

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期間限定：2026年10月19日(日本時間)に終了
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THE BETTER PART : MARTHA, MARY, AND THE CHOICE OF PRIORITIES

著者： Anna Kriger
ナレーター： Christel Chavira
￥1,330で会員登録とタイトル購入をする ￥1,330で会員登録とタイトル購入をする

30日間の無料体験後は月額￥1500で自動更新します。いつでも退会できます。

30日間の無料体験後は月額￥1500で自動更新します。いつでも退会できます。

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10月19日まで。※適用条件あり
Two sisters. One guest. A quiet decision that quietly runs your whole life.We know the scene without having to be told it. One sister works herself ragged getting dinner on the table. The other simply sits and listens. For centuries the busy sister has been scolded and the quiet one praised, and most of us have nodded along and felt vaguely guilty, and then gone right back to setting the table.This book says the old reading misses the wound entirely. Martha is not lazy. She is not unkind. She is doing exactly what a good person does when a guest arrives, and that is the whole trouble. She runs the right program for an ordinary evening without ever noticing that this evening is not ordinary and this guest is not ordinary. She stays inside the frame she woke up in, and from inside a frame you cannot see that your priorities have quietly turned upside down.And that, it turns out, is not Martha's problem. It is the oldest problem there is, the one underneath all the others, the one you and I will face again before breakfast tomorrow. Not the problem of doing wrong. The far stranger problem of doing something perfectly good and useful at exactly the moment when something else was the one thing needed. A cell chooses. A mind chooses. Soon the machines we are building will have to choose. And almost all of us, almost all of the time, choose by an order we never actually chose and cannot quite see.Written for readers of every belief and none, without a scrap of dogma and with a great deal of warmth and laughter, this is a book about attention, priorities, and the rare, brave, oddly funny act of putting down the tray long enough to see who is actually in the room.©2026 Anna Kriger (P)2026 Boris Kriger
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