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  • South and West: From a Notebook

  • 著者: Joan Didion
  • ナレーター: Kimberly Farr
  • 再生時間: 2 時間 51 分

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『South and West: From a Notebook』のカバーアート

South and West: From a Notebook

著者: Joan Didion
ナレーター: Kimberly Farr
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批評家のレビュー

"Didion at her most fascinatingly unfiltered, recording folksy vernacular at a motel pool, having G & Ts with Walker Percy, and searching fruitlessly for Faulkner's grave in an Oxford cemetery...her riffs on everything from Gertrude Atherton to crossing the Golden Gate bridge for the first time in three-inch heels captures the thrill of a writer discovering her richest subject: the American mythologies that governed her own romantic girlhood, a yearning for an MGM-style heritage that never really was - a yearning that feels freshly perilous in its delusions." ( Vogue)
"A compelling book - rooted utterly in a past now all but lost to us, while also incredibly timely and relevant.... It bears the hallmarks of Didion's sparkling prose.... It finally sees the light of day at a moment when California and the Real America of the South are warring over the soul of the country.... Vital, ultimately, for how it demonstrates (even inadvertently) how such a tension plays out." ( Los Angeles Review of Books)
"You'll learn more about America's future from Didion's 40-year-old field notes than you will from tomorrow's newspaper." ( Esquire)

あらすじ・解説

From one of the most important chroniclers of our time come two extended excerpts from her never-before-seen notebooks - writings that offer an illuminating glimpse into the mind and process of a legendary writer.

Joan Didion has always kept notebooks: of overheard dialogue, observations, interviews, drafts of essays and articles.

Here is one such draft that traces a road trip she took with her husband, John Gregory Dunne, in June 1970, through Louisiana, Mississippi and Alabama. She interviews prominent local figures, describes motels, diners, a deserted reptile farm, a visit with Walker Percy, a ladies' brunch at the Mississippi Broadcasters' Convention. She writes about the stifling heat, the almost viscous pace of life, the sulfurous light and the preoccupation with race, class and heritage she finds in the small towns they pass through.

And from a different notebook: the 'California Notes' that began as an assignment from Rolling Stone on the Patty Hearst trial of 1976. Though Didion never wrote the piece, watching the trial and being in San Francisco triggered thoughts about the city, its social hierarchy, the Hearsts and her own upbringing in Sacramento. Here, too, is the beginning of her thinking about the West, its landscape, the Western women who were heroic for her and her own lineage.

©2017 Joan Didion, 2017 Nathaniel Rich - Foreword (P)2017 Random House Audio

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