『Salt Slow』のカバーアート

Salt Slow

From the author of Our Wives Under the Sea

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Salt Slow

著者： Julia Armfield
ナレーター： Kristin Atherton
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The electrifying debut from the White Review Prize winner
Shortlisted for the Sunday Times Young Writer of the Year Award

'Thrilling . . . A writer whose next move you wouldn’t want to miss.' Observer

'Wickedly clever prose and a sense of humour that seems to loom up like a character in itself' M JOHN HARRISON, Guardian

In her brilliantly inventive and haunting debut collection of stories, Julia Armfield explores bodies and the bodily, mapping the skin and bones of her characters through their experiences of isolation, obsession, love and revenge.

Teenagers develop ungodly appetites, a city becomes insomniac overnight, and bodies are diligently picked apart to make up better ones. The mundane worlds of schools and sleepy sea-side towns are invaded and transformed, creating a landscape which is constantly shifting to hold on to its inhabitants. Blurring the mythic and the gothic with the everyday, Salt Slow considers characters in motion – turning away, turning back or simply turning into something new entirely.

Winner of The White Review Short Story Prize 2018, Armfield is a writer of sharp, lyrical prose and tilting dark humour – Salt Slow marks the arrival of an ambitious and singular new voice.

'Salt Slow is exemplary. A distinct new gothic, melancholy, powerful and poised.' China Miéville, author of The City & The City

'Armfield is an enormous, gut-wrenching talent.' Daisy Johnson, author of Everything Under

'Truly dazzling . . . so subtle, intelligent and imaginative.' Stuart Kelly, The Scotsman

 ゴシック ホラー 大衆小説 女性文学 形而上学・幻想 文芸小説 短編小説 選集・短編小説
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批評家のレビュー

salt slow is exemplary. A distinct new gothic, melancholy, powerful and poised. (China Miéville, author of The City & The City)
Unafraid to venture beyond realism’s limits, Julia Armfield refashions our contemporary existence as an eerie, care-worn dreamworld, taking our quotidian anxieties and desires and handing them back to us empathetically remade . . . Armfield is a significant, exciting talent. (Sam Byers, author of Perfidious Albion and judge of The White Review Short Story Prize 2018)
This debut collection is both wild and wonderful, packed with mythical transformations that take place in the most ordinary of contemporary settings . . . vivid . . . visceral . . . marvellous.
Reading this collection is the only thing you need to do right now. Reading this collection is the only thing you ever need to do. Armfield is an enormous, gut-wrenching talent. (Daisy Johnson, Man Booker Prize shortlisted author of Everything Under)
Truly dazzling . . . Horror for the Instagram generation. There is a melancholy sense in reading such a wonderful collection of short stories and finding them so subtle, intelligent and imaginative. When I put the book down I wondered: will her first novel be as good? (Stuart Kelly)
These exquisitely written stories are like the quietly surreal lovechild of Anne Michaels and Julio Cortazar. Both moving and poetic, salt slow introduces Julia Armfield as a writer to watch and greatly admire. (Sharlene Teo, author of Ponti)
The stories in this collection look at women’s bodies and their experiences in society with an eerie, otherworldly lense . . . For fans of Carmen Maria Machado, Sophie Mackintosh and Megan Hunter
Remember the name Julia Armfield as this will be the year that salt slow bubbles under then pops up everywhere on best-of lists and literary prizes . . . Visceral, perturbing and exhilarating.
Writers should take risks and Julia Armfield does this fearlessly with stories that unnerve and delight in equal measure. There are echoes of Leonora Carrington and Carmen Maria Machado, but Armfield's distinct voice is her own: singular, visceral and eerie. A hugely impressive first collection. (Sinéad Gleeson, author of Constellations)
Visceral, fierce and beautifully unsettling, Armfield's writing has an astonishing power. This collection haunted me with its brilliance. (Elizabeth Macneal, author of The Doll Factory)
Her work has a timelessness to it, and a generosity of emotion that’s brave and affecting. (Chloe Aridjis, author of Book of Clouds and judge of The White Review Short Story Prize 2018)
These are brilliantly addictive, barbed, illusive stories. Armfield creates a cleverly unsettling, iridescent world that we are all the better for entering. (Irenosen Okojie, author of Speak Gigantular)
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