『Pyromaniac』のカバーアート

Pyromaniac

A Memoir

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Pyromaniac

著者: Rio Matchett
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‘unflinching and beautifully written’ RACHEL MONROE

Aged 18, Rio Matchett burned down a church.

She still does not know why.

Pyromaniac – the first ever published personal account from someone with the diagnosis – is Rio’s account of falling insane, being sectioned, and then incarcerated for arson, and the story of her search to understand humanity’s enduring and ubiquitous fascination with fire. The book spans genres, blending memoir with history, anthropology, psychology, myth and literature, confronting what happens when you find yourself alone, beyond the bounds of the explicable.

It is a pleasure to burn, as Ray Bradbury so famously wrote. But why? It is a curse and a blessing, a fuel and a conflagration, a source of warmth, safety and destruction. Weaving through these themes, the book explores fire as a mercurial metaphor for knowledge, technology, progress, and reprises distant stories from across cultures to demonstrate that fire is what took us from inanimate clay to humankind. When we master fire, we’re almost gods. No fire, no soul. No soul, no us. Surely, fire is what we are?

Fire also brought Rio Matchett’s young life close to ruin. With an honesty and rigour so rare to find in contemporary writing, Rio uses her story to ask fundamental questions about what she did, about her mental breakdown and diagnosis as a pyromaniac, and about what might have been done differently by the systems that punished her. Rio’s depiction of her life in prison is unforgettable, but ultimately, Pyromaniac is a story of love driving recovery, the vital role of friendship on the path to redemption, and the enduring flicker of human hope.

アート 大衆文化 社会科学
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批評家のレビュー

‘Pyromaniac is wise, wry, and fascinating – an unflinching and beautifully-written history of one woman’s breakdown that opens up into a story about what makes us human’
Rachel Monroe, author of Savage Appetites: True Stories of Women, Crime, and Obsession
‘Fire, in Rio Matchett’s Pyromaniac, is not a metaphor, or at least not only a metaphor – it is real flames, real heat, real destruction. Rio's writing carries that same realness, her words precise and clear in the pursuit of understanding something dangerous and true. I was deeply moved reading her memoir, both by the skill in her craft and the intensity of feeling she offers to her readers; this is a stunning book, provocative and intensely beautiful’
Haley Mlotek, author of No Fault: A Memoir of Romance and Divorce
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