『My Name Is Lucy Barton』のカバーアート

My Name Is Lucy Barton

From the Pulitzer Prize-winning author of Olive Kitteridge

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My Name Is Lucy Barton

著者： Elizabeth Strout
ナレーター： Kimberly Farr
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30日間の無料体験後は月額￥1500で自動更新します。いつでも退会できます。

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概要

Penguin presents the unabridged, downloadable, audibook edition of My Name is Lucy Barton by Elizabeth Strout, read by Kimberly Farr.

A mother comes to visit her daughter in hospital after having not seen her in many years. Her unexpected visit forces Lucy to confront her past, uncovering long-buried memories of a profoundly impoverished childhood; and her present, as the façade of her new life in New York begins to crumble, awakening her to the reality of her faltering marriage and her unsteady journey towards becoming a writer.

From Lucy's hospital bed, we are drawn ever more deeply into the emotional complexity of family life, the inescapable power of the past, and the memories - however painful - that bind a family together.

 大衆小説 女性文学 文芸小説

批評家のレビュー

A novel of shining integrity and humour (Alice Munro on 'Amy and Isabelle')
As perfect a novel as you could ever read (Evening Standard on 'Olive Kitteridge')
My God - she is fun to read (Richard Bausch)
As ambitious as Philip Roth's American Pastoral but more intimate in tone. (Time Magazine on 'The Burgess Boys')
Strout animates the ordinary with astonishing force (The New Yorker on 'Olive Kitteridge')
Strout's prose propels the story forward with moments of startlingly poetic clarity. (The New Yorker on 'The Burgess Boys')
One of those rare, invigorating books that take an apparently familiar world and peer into it with ruthless intimacy, revealing a strange and startling place. (The New York Times Book Review on 'Amy and Isabelle')
Strout's greatly anticipated second novel . . . is an answered prayer. (Vanity Fair on 'Abide With Me')
Elizabeth Strout writes beautifully about the compromises and small joys of what we might call mature people. Delicate, nuanced, insightful, and profoundly moving, Olive Kitteridge provides exactly the pleasures and the depths of feeling that I crave when I read fiction (Ann Packer on 'Olive Kitteridge')
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