How to Make a Horror Movie and Survive
A Novel
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ナレーター:
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Garrett Michael Brown
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著者:
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Craig DiLouie
このコンテンツについて
Horror isn't horror unless it's real.
Max Maurey should be on top of the world. He's a famous horror director. Actors love him. Hollywood needs him. He's making money hand over fist. But it's the 80s, and he's directing cheap slashers for audiences who only crave more blood, not real art. Not real horror. And Max's slimy producer refuses to fund any of his new ideas.
Sally Priest dreams of being the Final Girl. She knows she's got what it takes to score the lead role, even if she's only been cast in small parts so far. When Sally meets Max at his latest wrap party, she sets out to impress him and prove her scream queen prowess.
But when Max discovers an old camera that filmed a very real Hollywood horror, he knows that he has to use this camera for his next movie. The only problem is that it came with a cryptic warning and sometimes wails.
By the time Max discovers the true evil lying within, he's already dead set on finishing the scariest movie ever put to film, and like it or not, it's Sally's time to shine as the Final Girl.
批評家のレビュー
"Gory, glorious, and just a little too believable, Craig DiLouie’s latest is a slick meta slasher movie in book form, set in the brutal intersection of art and obsession."
—Peter Clines, New York Times bestselling author
—Peter Clines, New York Times bestselling author
“How to Make a Horror Movie and Survive is a blood-spattered homage to horror films, an ode to the craft of filmmaking, and a cautionary tale about the fiery—often destructive—creative passion inside every artist, one that continuously teeters on the brink of insanity. DiLouie has created a celluloid cursed object story that John Carpenter himself would stand up and applaud from the front row.”—Philip Fracassi, author of Boys in the Valley
“A tricky, twisty book with more levels to it than a slasher movie has sequels. DiLouie knows what makes the horror genre tick.” —David Moody, author of the Hater and Autumn series
"Confidently striding through the genre, DiLouie displays a deep and abiding love for horror, even as he finds new ways to bend our disgust and despair to his will. The camera cannot turn away."—Andrew F. Sullivan, co-author of The Handyman Method
With well-developed characters, a swiftly paced narrative, and mounting dread, this new twist on the ghost story will delight horror readers. —Booklist on Episode Thirteen
"An epistolary descent into a living nightmare . . . well-written and genuinely unsettling. Fans of paranormal documentaries, ghost-hunting shows, and found-footage horror will lose their minds over this one."
—Kealan Patrick Burke, Bram Stoker Award-winning author of Kin on Episode Thirteen
—Kealan Patrick Burke, Bram Stoker Award-winning author of Kin on Episode Thirteen
"Episode Thirteen is a suspenseful and engaging Rubik’s Cube of a novel. The reader has great perverse fun twisting the pieces back and forth, facet after facet, until Craig DiLouie’s grand design stands revealed in all its febrile splendor."—James Morrow, author of The Last Witchfinder on Episode Thirteen
“It’s the literary equivalent of a found footage movie, and it works beautifully. Part ghost story, part metaphysical horror, total nightmare — Episode Thirteen is a must read.”—David Moody, author of Hater and the Autumn series on Episode Thirteen
“In this transcendent ghost story for the 21st century, Craig DiLouie charts the mystery where science meets the supernatural then dives in headfirst to deliver a haunted house story so heartbreaking and profoundly unsettling it ranks alongside the classics of the genre.”—James Chambers, Bram Stoker Award-winning author of On the Hierophant Road on Episode Thirteen
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