Audible会員は対象作品が聴き放題、2か月無料体験キャンペーン中
-
Here in the Dark
- ナレーター： Laura Benanti
- 再生時間： 10 時間 8 分
商品を追加できませんでした
カートに追加できませんでした。
ウィッシュリストに追加できませんでした。
ほしい物リストの削除に失敗しました。
ポッドキャストのフォローに失敗しました
ポッドキャストのフォロー解除に失敗しました
聴き放題対象外タイトルです。Audible会員登録で、非会員価格の30％OFFで購入できます。
Here in the Dark
批評家のレビュー
'Alexis Soloski's debut novel...examines the lives of critics, actors, and addicts. It poses the question: can you know or even have your own identity, when your entire life is spent acting? Recommended for lovers of New York and the theatre, this is a taut...psychological thriller that dares to delve into the darkness behind the curtains.' (Laura Shepperson)
'A moody, taut dose of noir, Here in the Dark is a poised, daring debut - the kind of novel I relish and can't get out of my head, evoking the work of icons like Megan Abbott and Margaret Millar in its hypnotic prose and mesmerizing characters.' (Alex Segura, bestselling author of Secret Identity)
'Soloski does not disappoint in either her sharp-eyed and unflinching portrait of an unravelling critic, or in her delicious upending of genre. Hitchcock meets a slippery metatheatrics of power, performance, desire, and escape. This is a novel and a protagonist who moves with a precarious velocity, constantly choosing the most dangerous move and bringing us careening after.' (Jen Silverman, author of We Play Ourselves)
あらすじ・解説
By night, Vivian Parry performs the role of Manhattan’s sharpest theatre critic, immersing herself fully in every show she sees. By day, she uses work, sex, and psychotropic drugs to keep her comfortably numb.
Desperate for a promotion and at the urging of her editor, she agrees to an interview with David Adler, an enigmatic graduate student. When he later disappears, Vivian soon learns from his devastated fiancée that she was the last person to have seen him alive. The police refuse to investigate his disappearance and Vivian finds herself obsessed with what happened, assuming the role of amateur investigator.
But as she gets closer to the truth about David Adler, she finds that the boundaries between theatre and reality are more tenuous than even she could have believed.