God Bless You, Otis Spunkmeyer
A Novel
カートのアイテムが多すぎます
ご購入は五十タイトルがカートに入っている場合のみです。
カートに追加できませんでした。
しばらく経ってから再度お試しください。
ウィッシュリストに追加できませんでした。
しばらく経ってから再度お試しください。
ほしい物リストの削除に失敗しました。
しばらく経ってから再度お試しください。
ポッドキャストのフォローに失敗しました
ポッドキャストのフォロー解除に失敗しました
聴き放題対象外タイトルです。Audibleプレミアムプラン登録で、非会員価格の30％OFFで購入できます。
オーディオブック・ポッドキャスト・オリジナル作品など数十万以上の対象作品が聴き放題。
オーディオブックをお得な会員価格で購入できます。
30日間の無料体験後は月額￥1500で自動更新します。いつでも退会できます。
God Bless You, Otis Spunkmeyer
ナレーター：
JD Jackson
￥1,800 で購入
-
ナレーター：
-
JD Jackson
このコンテンツについて
After a deployment in the Iraq War, Joseph Thomas is fighting to find his footing. Now a doctoral student and EMS worker, he encounters round the clock friends and family from his past life and would-be future at his job, including contemporaries of his estranged father, a man he knows little about, serving time at Holmesburg prison for the statutory rape of his then-teenage mother. Meanwhile, he and his best friend Ray, a fellow vet, are alternatingly bonding over and struggling with their shared experience and return to civilian life, locked in their own rhythms of lust, heartbreak, and responsibility.
Balancing the joys and frustrations of single fatherhood, his studies, and ceaseless shifts at the hospital as he becomes closer than he ever imagined to his father, Joseph tries to articulate vernacular understandings of the sociopolitical struggles he recounts as participant-observer at home, against the assumptions of his friends and colleagues. God Bless You, Otis Spunkmeyer is a powerful examination of every day Black life—of health and sex, race and punishment, and the gaps between our desires and our politics.
ONE OF THE MILLIONS’ MOST ANTICIPATED BOOKS OF 2024
批評家のレビュー
“In this complex novel, a young man lives on two timelines. In one he’s working a very long hospital shift, increasingly dizzy with hunger. In one he relives his history, ‘a version of the truth wrapped in a longer lie,’ working through love and lust, memory and regret. You might call it present time and past time, or body time and head time. While God Bless You, Otis Spunkmeyer is about all the traps of black reality (poverty, fear, war, sickness, death) it’s also always about language, writing and speech, play and voluminous possibility. Joseph Earl Thomas’s writing is contemplative, hilarious, disorienting, tragic, and thoroughly daring, full of life and style.”
—Elisa Gabbert, author of Any Person Is the Only Self
“Joseph Earl Thomas’s God Bless You, Otis Spunkmeyer is a brilliant novel of hunger and work and care and grief that deftly captures the maddening mess of everything that makes life worth living. Thomas is a skilled, surgical prose stylist; his sentences are magnificent scalpels. There isn’t a single dull line in the book. God Bless You, Otis Spunkmeyer is unpredictable, unsentimental, and impressively tender.”
—Isle McElroy, author of People Collide
—Isle McElroy, author of People Collide
PRAISE FOR SINK
“Thomas really does accomplish the extraordinary…[He] has constructed a sort of alchemy on the page, but one born of experience, from skill and from a trust about what will end up on the other side…perhaps one of the biggest boons of Sink is its insistence that care is, above all, shared. It is everyone’s prerogative. In this way, Thomas has earned a deep bow.”—New York Times Book Review
“Thomas really does accomplish the extraordinary…[He] has constructed a sort of alchemy on the page, but one born of experience, from skill and from a trust about what will end up on the other side…perhaps one of the biggest boons of Sink is its insistence that care is, above all, shared. It is everyone’s prerogative. In this way, Thomas has earned a deep bow.”—New York Times Book Review
"For the reader, third-person narration creates a buffer to a brutal coming of age, and perhaps allows Thomas enough distance from his trauma to bravely expose the vulnerability and resilience of his youth."—Washington Post
“Thomas is a skilled prose stylist, and Sink is loaded with arresting imagery and insights into the eerie space between claustrophobia and freedom unique to childhood.”—Vulture
"Joseph Earl Thomas has created a narrative that reads like a request and loving demand. Sink is a new kind of memoir, remixing the best parts of the genre. Though cohesive, the chapters in Sink are brilliant and brilliantly different. Thomas uses the act and politics of oration to move us within the silences of desire. It’s the way Thomas narrativizes encounters that make this book different than any memoir I’ve read, but also, so more propellant than any memoir in recent years. It is criminal and absolutely delicious that Sink is a literary debut. It is stunning in its audacious goodness." —Kiese Laymon, award-winning author of Heavy
まだレビューはありません