Disobedient Objects
Studies in World Art, Book 118
カートのアイテムが多すぎます
カートに追加できませんでした。
ウィッシュリストに追加できませんでした。
ほしい物リストの削除に失敗しました。
ポッドキャストのフォローに失敗しました
ポッドキャストのフォロー解除に失敗しました
プレミアムプラン4か月 月額99円キャンペーン開催中。 聴き放題対象外タイトルです。Audibleプレミアムプラン登録で、非会員価格の30％OFFで購入できます。
Disobedient Objects
￥750 で購入
-
ナレーター：
-
Paul Bright
It is understandable that, in current circumstances, major arts institutions should try to ally themselves with the more anarchic, contrarian elements in contemporary culture. Perhaps this is especially true of those dealing with the contemporary visual arts, committed as these still are to the myth of avant-gardism.
One problem that immediately presents itself, of course, is that this myth is not itself contemporary - it is rooted in the very earliest years of the century before ours, and first blossomed before the outbreak of World War I. The myth has become so diversified in the course of more than a century of growth that what is indisputably avant-garde today has become very difficult to define. One man’s avant-garde can easily be his neighbor’s idea of ho-hum, follow-my-leader conservatism.
©2014, 2017 Cv Publications (P)2018 Cv Publicationsシリーズを続ける
