Emery Jenson came to Wildwood ten years ago with her parents, hired to be the estate's steward and housekeeper. She has taken on more responsibility as her father's mind grows weak and now runs the ducal country seat. When the new duke shows up, she schemes to hide her father's deficiencies, believing the Duke of Winslow won't remain long.

Trevor Hunt, the Duke of Ridgely, has been called many things, most of which are true. Reviled by his family, hated by many, he's earned his reputation in the seedy streets of London and more than his fair share of bedchambers. But battling deadly foes and irate husbands failed to prepare the duke for the most troublesome role he's played yet: guardian to one maddening hoyden.

A dutiful army officer who shuns intimacy. A selfless beauty ready to start living for herself. A chance meeting in the street that leads to love. When Major Spencer Haddock’s father dies, he returns to England as the Earl of Middlefield. He seeks a typical ton marriage, where his wife will provide him with an heir and possibly other children and then they go their separate ways. He intends to find his countess quickly and not waste time at boring social affairs.

All Lady Victoria Kirby wants is to dig in the dirt, take notations, and record history, thank you very much. Bumbling through ballrooms and getting disdained by the ton for her less than ideal looks, on the other hand, is the last thing she wants. But her reckless father has a different idea for her future when he puts up the ultimate ante - her hand in marriage - and loses. Over her dead body.

Thea Knight loves a spot of mischief. She especially loves her current mischief: masquerading as her sister, while finalizing her scheme to expose the dastardly knaves whose lies ruined her life. Then big, bad-tempered Lord Luxborough upends her game by maneuvering her into marriage. But it's her sister’s name on the license, so the marriage won’t be valid. Thea’s idea? Keep pretending to be her sister until she can run away.