Back to Blood
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Back to Blood
ナレーター：
Lou Diamond Phillips
￥3,000 で購入
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ナレーター：
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Lou Diamond Phillips
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著者：
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Tom Wolfe
このコンテンツについて
As a police launch speeds across Miami's Biscayne Bay -- with officer Nestor Camacho on board -- Tom Wolfe is off and running. Into the feverous landscape of the city, he introduces the Cuban mayor, the black police chief, a wanna-go-muckraking young journalist and his Yale-marinated editor; an Anglo sex-addiction psychiatrist and his Latina nurse by day, loin lock by night-until lately, the love of Nestor's life; a refined, and oh-so-light-skinned young woman from Haiti and her Creole-spouting, black-gang-banger-stylin' little brother; a billionaire porn addict, crack dealers in the 'hoods, "de-skilled" conceptual artists at the Miami Art Basel Fair, "spectators" at the annual Biscayne Bay regatta looking only for that night's orgy, yenta-heavy ex-New Yorkers at an "Active Adult" condo, and a nest of shady Russians.
Based on the same sort of detailed, on-scene, high-energy reporting that powered Tom Wolfe's previous bestselling novels, Back to Blood is another brilliant, spot-on, scrupulous, and often hilarious reckoning with our times.
批評家のレビュー
PRAISE FOR TOM WOLFE:
Bonfire of the Vanities (1987):
"A big, bitter, funny, craftily plotted book that grabs you by the lapels and won't let go."—New York Times Book Review
Bonfire of the Vanities (1987):
"A big, bitter, funny, craftily plotted book that grabs you by the lapels and won't let go."—New York Times Book Review
"A superb human comedy and the first novel ever to get contemporary New York, in all its arrogance and shame and heterogeneity and insularity, exactly right."—Washington Post Book World
A Man in Full (1998):
"The novel contains passages as powerful and as beautiful as anything written--not merely by contemporary American novelists but by any American novelist....The book is as funny as anything Wolfe has ever written; at the same time it is also deeply, strangely affecting."—New York Times Book Review
"The novel contains passages as powerful and as beautiful as anything written--not merely by contemporary American novelists but by any American novelist....The book is as funny as anything Wolfe has ever written; at the same time it is also deeply, strangely affecting."—New York Times Book Review
I Am Charlotte Simmons (2004):
"Wolfe is one of the greatest literary stylists and social observers of our much observed postmodern era....A rich, wise, absorbing, and irresistible novel."—Lev Grossman, Time
"Wolfe is one of the greatest literary stylists and social observers of our much observed postmodern era....A rich, wise, absorbing, and irresistible novel."—Lev Grossman, Time
"Wolfe's dialogue is some of the finest in literature, not just fast but deep. He hears the cacophony of our modern lives."—Los Angeles Times
"Brilliant...I couldn't stop reading it....Tom Wolfe can make words dance and sing and perform circus tricks, he can make the reader sigh with pleasure."—Michael Dirda, Washington Post
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